The art of Chinese sculpture (three volumes)

The art of Chinese sculpture (three volumes)


Basic information
The time of publication:2012-1
Press:People's Fine Arts Publishing House
Author:Wang Ziyun
Pages:全三册
Words:748000
BookTitle:The art of Chinese sculpture (three volumes)
Summary of contents
"The art of Chinese sculpture (lower)" written by Wang Ziyun, "the art of Chinese sculpture (lower)" is divided into three parts with eight chapters, first introduced China's primitive society to the southern and Northern Dynasties period of sculpture art; in part introduces the Tang and Five Dynasties sculpture art; the the two Song Liao and Jin era to the Yuan Ming and Qing three generations of sculpture art. In the introduction, the author analyzes the history background, basic characteristics and different dynasties sculpture art the main process and concrete material, made many creative ideas. The book is rich in content, informative, many pictures, is representative of a comprehensive presentation of Chinese ancient sculpture art evolution works. This book by the people's Fine Arts Publishing House in 2012 the latest edition. 
Author intro
Wang Ziyun (1897--1990), Anhui Xiaoxian person, our country famous painter, sculptor and art educator, art historians and archaeologists. He was the consultant of Chinese Artists Association, Shaanxi Artists Association honorary chairman, Xi'an Academy of Fine Arts Professor, postgraduate tutor. 
Wang Ziyun is a pioneer in China's modern art movement, has made an important contribution to Chinese New Cultural movement. Wang Ziyun led the "Northwest Art Heritage Tour" is the large-scale study Chinese artists of the national art heritage for the first time, is of great significance for the study of Chinese Fine Arts discipline.
Wang Ziyun: oil paintings with "Jianggan", "Hangzhou rain", "small town", morning and a lot of watercolor painting works; works include "Maoling Tomb of Huo Han Dynasty stone sculptures of Tang Dynasty", "selected works", "Chinese ancient stone line depicts the anthology", "Chinese ancient sculpture," in the history of the art of sculpture, "the same", "Shaanxi ancient stone carving", "from Changan to Athens, Chinese and foreign art archaeological travels" etc..
Mr. plum, trained many later famous master of fine arts. He worked hard to ninety-four years old, was included in "the same" Encyclopedia "Celebrity International Art Circles".
Catalog

two, stele inscriptions sculpture carving
three, stone coffin stone engraved lines
four, decorative carvings and sculptures of
sixth Tang Dynasty sculpture masters Yang Huizhi and other famous craftsmen and the five generation
10 sculpture craftsmen
seventh section of Sui and Tang Dynasties sculpture major achievements and in ancient China the sculpture of the status of

Chinese sculpture art history written in the annals of

seventh chapter series of late feudal society in China -- the two Song Liao and Jin era sculpture art
(mid tenth Century to late thirteenth Century)
first history of
Second Chinese sculpture and the secular
> tomb sculpture, Northern Song Dynasty mausoleum stone carving
two,
three tomb figurines sculptures, carved tomb decoration
(1) the tomb walls and stone carving
(two) tomb brick carving
fourth day Buddhist sculpture.
A, the grottoes carved statues of
(1) in northern Shaanxi the grotto statues around
(two) Gansu Maiji Mountain Grottoes in Bahrain Liaoning statue of
(three) Hangzhou West Lake Shi Kudiao like
(four) around the Sichuan stone Grotto statue of
(five) Guangxi Guilin Yunnan Jianchuan Grottoes statues
(six) Sichuan Yi Autonomous Prefecture of Liangshan cliff stone
two, temple sculpture
(1) the Song Dynasty Buddhist statue
(two) of Song Dynasty general statue temple
(three) carving art Liao gold temple statue
fifth secular mud sculpture and other carving
sixth section two Song Liao achievement
eighth chapter in late Chinese feudal society a Yuan Ming and Qing three generations of sculpture art
(late thirteenth Century early twentieth Century)
first history of
Second China Sculpture Art into the - step towards secularization and wither period
third day Buddhist and Taoist sculptures.
A, sculpture, statues of
(1) the grotto statue of
(two) Ming cave statue of
two, temple sculpture
(a) of the Yuan Dynasty temple sculpture
(two) of the Ming Dynasty temple sculpture
(three) of the Qing Dynasty temple sculpture
Fourth tomb sculptures.
A, tomb stone
(1) the Ming tomb stone
(two) the Qing Ling Stone
two, tomb figures sculpture
(1) the Yuan Dynasty tomb figures
(two) the Ming Dynasty tomb figures
(three) of the Qing Dynasty tomb figures
fifth building decorative arts and crafts engraving and folk sculpture, architectural sculpture

(a) of the Yuan Dynasty tomb brick stone building decoration and
(two) during the two dynasties building decorative carving
two, arts and crafts carving and engraving and folk sculpture
sixth Yuan Ming sculptor and folk craftsmen
seventh Yuan Ming and Qing Dynasties sculpture art evaluation on the Qing Dynasty sculpture art of China

Chinese sculpture art history of the
appendix chronology of ancient Chinese art of Buddhism introduction
postscript
Chapter abstract
Illustration: (1) in the cave shape, wanfotang Center Tower kiln (Western brother cave 1), even on the top of tower, surrounded by carved BuddhaNiche. This shape, Dunhuang, Yungang caves in the north, Mianchi, North and South Xiangtangshan in have seen, and the square shape is the same. That cut the Yixian wanfotang grottoes, is completely consistent with the central and Western regions. (2) the statue's style, Wan Temple Buddha and Bodhisattva statues have been most mutilated, but in a few top of the ceiling, there is a residue of lotus and flying, the shape and image, and the Longmen Lianhua Dong and from fourth, cave 5 of similar production is similar, indicating that the Buddhist statues are separated thousands of miles, but the style of the times still has its consistency. This point is also can find many examples from other parts of the same age in the grotto sculpture. (3) as the Yixian wanfotang grottoes, the more important evidence epigraphic text stone statues. In the Western cave fifth front wall on the left Northern Wei Wo twenty-three years (499) camp Zhouci Shi Yuan Jing statues inscription. Although cliff stone inscription in lower half has been incomplete, but half still has more than 300 words (see "cultural reference" in 1951 second volume ninth issue and "heritage" in 1980 sixth period). This is the North grotto statues mark the most number of words in one place only inscription calligraphy font is very valuable information. Wanfotang and another statues in mind, is the upper lintels in fifth Eastern cave door, engraved with the North Wei Jingming three years (502) Han Zhen, Lv Anchen and other seventy-four artificial like Ming, Ming text number after Yuan Jing statues, with valuable literature North statues inscription in. 
Editor recommends
"Chinese library, art: art history of China Sculpture (set of 3 volumes)" suitable for the relevant researchers and enthusiasts to read or reference.
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Comments and ratings
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