The time of publication:2006-5Press:Hebei people's Publishing HouseAuthor:Shi ZhongwenPages:1470Words:1861000BookTitle:China art history
Opera is a very important part of the national five thousand years of Chinese civilization, its history is long, the writer of numerous, prosperous in the work, the performance of the event, the forms of diversity, the exquisite art, enough to compete with any other art form. Particularly worthy of our attention is, Chinese opera culture art. Art history in the world is the one and only. The first is the enduring prosperity. Since the Qin and Han Dynasties until the early formation of drama, contemporary, opera has been Chinese favorite art form, from no interruption, from the highest ruler to men of literature and writing, to ordinary people, all full of interest. Can say, Chinese life drama is an inseparable part of, like music for the Austria people, like philosophy in germany. The second is the wide variety. According to statistics, at present our country extant drama form has 500 kinds, distribution throughout the country, to be enjoyed by every nation. This is the size, in every country of the world There is nothing comparable to this. Most importantly, China opera is a comprehensive art of the most comprehensive, she combines narrative literature, poetry, music, dance, acrobatics, martial arts, sculpture, painting, crafts, clothing etc. categories of art, also including history, other genres, such as drama, opera and ballet and so on, are difficult to approach somebody's greatness. Every attention to the national culture of the Chinese people must understand China opera, and every one know Chinese opera person must be the dumping, proud.
Shi Zhongwen, male, born in April 2, 1951, professor. In the Beijing finance and Trade College, Minzu University of China, North China University of Technology, now North China University of Technology citizen quality and Modern Culture Research Institute, deputy director of the Journal of North China University of Technology, member of Academic Committee, deputy secretary general. Monograph "Aesthetics" was awarded the first prize of Beijing excellent achievements in philosophy and Social Science Award; monograph "to seek a breakthrough -- on" contemporary ethics has won the State Ethnic Affairs Commission prize two; editor of the "China art history" as the national "nine five project" key books. The main works include: "Aesthetics", "interpersonal relations", "human desire" ("theory, Chinese out of the alley", "Chinese and Western civilization dialogue", "China Sui Tang and Five Dynasties History of literature", "bubble economy China: Perspective in third eyes (", "justice, you listen to me say", "modern world", "pre philosophical history of modern world history", "the mid philosophy viewpoint: Chinese folk are", "China six famous modern reading", "Tang poetry", "two" (history of Song Ci, "Introduction", China art history. The main series, edited books include: "100 volumes (China history >", "100 volumes", "Chinese art history" etc..
Sui Tang and Five Dynasties opera history the first chapter outlines the second chapter original drama form the third chapter: the Qin and Han Dynasties hundred primary drama prototype form the fourth chapter primary drama Sheng Tang, five generation: Opera and dance drama and Western drama culture absorbed the fifth chapter sixth chapter seventh chapter theater origin origin specific play style of Song Liao drama history the first chapter outlines the second chapter primary stage drama: the Northern Song Dynasty dynasty the third chapter retention materials: new class primary drama drama drama Nanning fourth chapter: Liao, Jin Dynasty the fifth chapter Song Dynasty of stage characteristics chapter sixth mature opera formation of Southern Song Dynasty opera artists: seventh chapter eighth chapter officially theatre of the formation and development of ninth chapter specific play style of the Yuan Dynasty opera in the history of drama development fifth chapter third chapter North drama system the fourth chapter of this first chapter the second chapter of the sixth chapter of northern drama evolution stage art mature artists in seventh chapter eighth chapter ninth chapter theatre boom hit his tenth chapter: no drama of Yuan zaju indignant chapter eleventh times the: Guan Hanqing The twelfth chapter of Wang Shifu and his "the West Chamber" the thirteenth chapter, the white horse, Zheng San all fourteenth chapter some of the characteristics of drama and the fifteenth chapter some tendencies of the writers sixteenth chapters: Chapter seventeenth: Gaoming life ethics and "Pipa" chapter eighteenth opera theory foundation of Ming Dynasty opera history of Qing Dynasty history of drama in drama history: ancient drama.
The sixth chapter theatre drama and theatre is the origin of the phenomenon of symbiosis, drama must realize itself through acting ability, but at the same time it on the site -- theater requirements. The formal establishment of China ancient theatre in the Song Dynasty, had formed a specialized theatre -- the banister. And before this, Chinese theater through a long course of development, there is a function gradually clear and regular evolution history, to the Tang Dynasty took shape. Explore the historical process, will help us to understand the dramatic state of existence. The first section no theatre consciousness period, natural terrain and any regions and peoples of the world of drama, Chinese drama also originated from the primitive religious ritual dance imitation. This kind of original human sympathetic witchcraft based activities, need to initially only for religious atmosphere and sorcery content, generally choose forest clearing, Valley Dam Ping, suitable for the manufacture of sorcery atmosphere of the natural terrain, and its near the cliff rock to drawing symbols and graphics with deep religious, creating a religion atmosphere space for. See today many prehistoric rock paintings of song and dance ceremony scene, the drawing environment with the above conditions. Modern archaeology, anthropology, aesthetics for a prehistoric rock paintings more consistent understanding is: paintings is not only a primitive one objective creation simply reflect the aesthetic and cultural value, part of the rock paintings in the original thinking is often seen as a particular religious witchcraft activities into the original human feelings space. Therefore, rock paintings always painted engraved in a particular environment, from have found rock art sites, the front object carving graphics tend to have a piece of open land, which is convenient for people to hold religious rituals, religious emotion excitation. Based on this understanding, the original human prehistoric rock songs and dances and places of worship are always corresponding.......
"Chinese history of Art: Opera roll" in the writing has the following five characteristics. One, the argumentRight, not left not right. "Left" hate, its harm is concerned, and even hate. Even some famous works, because in the specific time by the impact of the "left", today to read, still sad. If porridge pot with flies, even the porridge to drink, also let a person feel nausea. "Left" and "right" is not good, not good. Now some popular books, good for a post. The verdict is not good, can not lump together. For example, the past criticism of Zheng Guofan is overdone, die now blowing live holding Zheng Guofan; in the past Wu Xu reform certainly much, and now to change the law to Wu Xu method for scandal, find fault, it is not necessary. Kong Fuzi said: "too much of a good thing". To put it bluntly, "near far right, the things in the world will often backfire. This book contains, not left nor right, absorbing the latest achievements, respect the historical facts, is about two, is two, not imagined, not empty talk. What effect, remains to be the reader comments. Two, system arrangement, and orderly. Weave book, emphasizes the special general binding. Strictly speaking, this is not a traditional art history, but also is not simple art history collection, but only through combination, from history to the professional history, and from the professional history to history. From the perspective of the content, such as calligraphy, painting, music, dance, drama to the architectural sculpture, arts and crafts, acrobatics, drama, photography, film, and art, various professional history, Nothing needed is lacking. Plus there are introduction, after the appendix -- even if it is not the traditional history compiled method, but has the history function. The book is divided into nine volumes of ten books, including twelve professional. The organic connection between, twelve professional, inorganic composite. The content is not separable, reading can be divided. Like to specialize in the industry, although the first from their love of professional reading; like the Commission on the overall, but also can meet your expectation for reading, see Chinese art history picture from, and can find the tendency, Chinese art history from the total context. Three, taking history as this, everything. Some of the old history of art, especially in the formation of "leftist" route under the disturbance of the art history, completely unable to do with history as the. Written works, look at the figures; written characters, look at the politics; politics, look at the needs of reality. As a result, it caused to the historical works, the evaluation of historical figures, or serious inconsistent with the facts, or its extreme, or distort truth, or out of thin air. An artist, because he was in there's something wrong with the quality of its chaos, plus attack, even the artistic achievement China art history, also does not recognize the preface; an artist, because politics not the taste, then its almost obliterated, not of works, to cancel his qualification in history. This book is to its truth, taking history as the inevitable. Swallow anything and everything to Chinese figures in art history, events, work, school,,. The author belongs to the bad guys, but the work is not bad, but also; the near little, because the creation achievement is not small, so also will be blown as if it were raining flowers; originally, because works the second, then, in the second rate history in the grid to; had lost, then, is also the the original history now; so that have a history of significant ambiguity, ambiguity, it is introduced to the reader, even if your new published, not foist one's opinions upon others -- and history has proved, even if you foist one's opinions upon others, people can really accept it? Style four, affinity, easy to read and understand. In our view, where the history of art, should pursue beautifully written, well written, very useful, be good to hear or see. We pursue this standard, not every writer can achieve this standard. In consideration of reality, well written, be good to hear or see is a kind of pursuit, style affinity, easy to read and understand is a specification. For the style of affinity, we are opposed to pretend to be profound, kick up a cloud of dust, put a could have three words clearly thing, not to say five words, or ten words. For the style of affinity, we are opposed to the so-called "circle of language", remove the experts, others do not want to hear, do not understand, more and more large head, heart more disorderly language. We think, only understand the language, the language is the historian; only if everyone understand, but fascinating language, is the language of literature. For the style of affinity, we specially book with more than 1000 pieces of phase, or can be called illustrated, in order to obtain better effects of reading. Five, the space is larger, should read is hidden. This book is about about 12000000 words. To such length, we have repeatedly, much consideration. We feel that this space, which can fully display the panorama of China art history, but also conducive to the readers of the winding reading; is conducive to the art lovers and researchers to access, but also beneficial to collection lovers collection. To tell the truth; to enrich the content China art history, is to write ten thousand words in length, is also possible, but it is inconvenient to read. In modern Chinese rhythm of life, have a history of art a 20 words or so can also, but it is not suitable for collection, but also can delete cut cut, so many beautiful works of art and interesting characters and readers just miss the person or opportunity.
China art history download
China art history download
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