A comparative study of Chinese and Western Drama Film Art

A comparative study of Chinese and Western Drama Film Art


Basic information
The time of publication:2008-8
Press:Hunan University press
Author:He Chungeng
Pages:214
BookTitle:A comparative study of Chinese and Western Drama Film Art
Summary of contents
Through the comparison of Chinese and Western drama film history, cultural significance, creative ideas, traditional narrative, aesthetic aspects, describe the evolution of Chinese and Western drama film creation, analysis of Chinese and Western drama film art features, explore the basic rule of the development of Chinese and Western drama film art. 
Author intro
Dr. He Chungeng, Yongxing County, Hunan. Professor at the Hunan University School of Journalism and communication, broadcasting television culture communication direction, master's tutor, research center of Hunan province culture industry researcher. 
Catalog
The first chapter first festival of Chinese and Western drama film concept, Chinese and Western drama film concept two, Chinese and Western drama film characteristics of three, Chinese and Western drama film phenomenon second Western drama film status and influence in western films, the history of the development of a dominant position in the aesthetic form two, form the mainstream the movie style three, in the film study to construct the important theoretical system in section third, Chinese and Western drama film art research value in theory research, is of great significance, in the two film creation to provide beneficial experience for the second chapter form history / social history: Chinese and Western drama film history of the development of historical and cultural context of Chinese and Western comparison section drama film produced by a western drama film, the rise of cultural and artistic origin two, Chinese melodrama of Sino foreign cultural and artistic experiences four stages second Western drama film of history, in twentieth Century 10 ~ 20 age: bud and forming two, twentieth Century 30 ~ 40 age: the maturity and prosperity in twentieth Century three, 50 to 80 years: change and development in twentieth Century four, since the 90's: transition and integration of Chinese and Western drama film calendar section third History of the similarities and differences of the form: A, has a close relationship to two, cultural functions and narrative style: commercial / recreational and social / mass three, aesthetic: two opposite moral / symbols of the third chapter of traditional / modern: reflect the influence of culture of Chinese and Western drama film culture function comparison of first ethical emotion tendency has difference, China traditional Confucian culture and the spirit of the age of two, the western bourgeois family ethics emphasized with the statement of the second day public aesthetic consciousness and cultural connotation of the change, the western drama film modern aesthetic consciousness of the rich two, Chinese ethic melodrama the aesthetic consciousness of the fusion third day family ethical value of the different cultural characteristics, aesthetic perspective: the family conflicts reflect social reality problem two, value orientation: moral integrity / individual view of the fourth chapter aesthetic / re education: function concept of Chinese and Western drama film creation idea comparing the first day of Chinese and Western drama film the creation of a, emotional catharsis: Western drama film affective features: two, with Chinese ethics Aesthetic idea, theatrical melodrama social features second Chinese and Western Drama Film Creation: the western drama film aesthetic standard two, "shadow play" Aesthetics: Chinese ethic Melodrama Film aesthetic characterization of third western drama film creation ideas, aesthetic pleasure: a western drama film on attention: two, the audience taste of the suit and the common people China ethic Melodrama Film aesthetic purpose of fifth chapter logic / authenticity: the formation and development, from traditional to modern Chinese and Western drama film narrative tradition of Chinese and Western Drama Film Festival is the first traditional narrative: fusion historical course of Chinese and Western drama film narrative tradition two, narrative art: China ethics drama film and the influence of Chinese and Western cultures second Western drama film narrative feature, a dream / Entertainment: Western drama film narrative logic two, realistic / popular: Chinese ethic melodrama film narrative truth third western drama film narrative art value a, western drama film narrative style, promote multiple revelations two China Melodrama Film Narration Innovation sixth chapter mass / type way: Chinese and Western drama film aesthetic performance comparing the first day family love and passion of social ethics aesthetic emotion, a western drama film of truth and the spirit of the times, the family of two Chinese ethics drama film in the traditional ethics and social passion second day external structure and psychological conflict narrative mode, the external structure and psychological conflicts and narrative strategies from two, plot structure to reveal heavy psychological narrative transition section third moral metaphor and complex human characters shaped like a human nature, prominent complex multiple character, shaping the two moral types figure fourth the real identity and strengthen the montage of a dream, audiovisual means making dream of imagination and concise and lively style, reflect the real identity and two complete and transparent audio - visual effect the seventh chapter diversification / personalized: Chinese and Western drama film excellent film art features between the first Western epic drama film forms of art model -- "gone with the wind" and "the river flows to the East" is a "history", and "the real story" Two different narrative perspective, the western and oriental nation hero legend story of western culture, Chinese and western traditional drama characterization of three movie forms national art model second section of Chinese and western social drama film aesthetic connotations of the performance -- "the day Yunshan legend" and "Maria Braun" is a marriage, the fate of the characters and the combination of historical tragedy two, the unique time to shape the image of women, three of the traditional and modern narrative blend of third Chinese family drama ethics image art of transformation and integration -- "USA beauty" and "home", have the Spring Festival compared a family picture: civilian / life portrayal of the life of two, life image: suspended / shaded soul, expecting the three aesthetic realm: Drama / documentary art integration after the fourth modern drama film reflects the cultural myth and aesthetic pursuit -- "wedding banquet" and "far from heaven", "wedding banquet": a comparison of Chinese and western ethical culture blend and variation two, "far from heaven": Modern Western culture spirit of the multiple refraction references, postscript 
Editor recommends
"Comparative study of Chinese and Western drama" film art talent showing itself in the similar research works, not only because it is centralized, systematic, integrity of the comparative study of Chinese and Western drama film, but because it is in the method of the research not to stick to one pattern. It is not only the "parallel" research, and combined with the "influence research". EspeciallyIts worth is the author of this research in a broader, more long history and cultural background for comparison, full range of Chinese and Western drama film history, cultural significance, creative ideas, narrative tradition, aesthetic appearance, which makes the research more academic, more convincing, showed higher academy style of film.
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