The film art and culture

The film art and culture


Basic information
The time of publication:2008-7
Press:Tsinghua University press
Author:Peng Peng
Pages:199
BookTitle:The film art and culture
Preface
Film reflects the real life, is the real life reproduction, performance, abstract and virtual. Without a doubt, a hand into the theater to watch the movie action is in daily life. Short film "Lumiere brothers film train" the first showing, when the screen on a train from far away, the seats in some audience scared scream and the move away from today's point of view, the occurrence of the above is simply ridiculous. Now the world is held every year in all kinds of Film Festival, this proves that the film had already become a kind of fashion of the life of contemporary people. 
Summary of contents
"The film art and culture" by introducing the basic theory of film art, film history of each period, the main trend of film classic, let the students know the film society, culture and art, a more comprehensive contact the movie, watch movies, the film won the appreciation, thinking aesthetic pleasure, so as to improve their artistic accomplishment. "The film art and culture" can be used as all kinds of school related professional teaching materials, but also can be used as high school students and training quality of practitioners of the ideal material, also can be used as the readers to learn film culture reference book. 
Catalog
The first chapter film the basic theory of the 1.1 films produced by material and technical conditions for 1.1.1 persistence of vision principle of 1.1.2 film material conditions of the formation of 1.2 major characteristics of the 1.3 movie film and 1.4 film and culture 1.4.1 film is the carrier of culture 1.4.2 film on the social impact of this chapter questions second chapter movie space-time relationship between the 2.1 film space 2.1.1 Movie Ontology space 2.1.2 film aesthetics in the space of 2.2 time 2.3 film structure of space-time 2.3.1 linear temporal and spatial structure of 2.3.2 multi line time and space structure of the chapter questions the third chapter movie audio-visual language 3.1 movie image 3.1.1 movie scene 3.1.2 scene using rules of 3.1.3 film photography composition 3.1.4 depth 3.1.5 film motion picture film motion camera 3.2 significance of the 3.3 forms of light 3.3.1 light 3.3.2 light projection direction of the 3.3.3 light modeling 3.3.4 properties of light in the 3.4 film color 3.4.1 color of the basic concepts of 3.4.2 color in the movie the main role in the 3.5 film sound 3.5.1 people 3.5.2 3.5.3 3.5.4 music sound sound and pictures of the relationship between the the fourth chapter chapter questions film camera language in the 4.1 film montage lens The main trend of thought concept type concept head 4.1.1 montage montage montage of 4.1.2 4.1.3 4.2 films in the long shot long shot of 4.2.1 4.2.2 Barzun's long lens theory 4.2.3 long lens effect in this chapter fifth chapter on the history of the world's 5.1 Hollywood classic movie era 5.1.1 early Hollywood film company 5.1.2 Hollywood film company production policy 5.1.3 America film censorship Chinese sixth chapter fifth and sixth generation director, the seventh chapter DV film making reference 
Chapter abstract
The first chapter is the basic theory of movie 1.1 movie produced material and technical conditions for the use of the camera will creator of life things down, through the projector will process the movement of things reproduction to the screen, used in the process of camera, film, play machine creation devices become movie produces the basic condition for the development of.
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