The time of publication:2011-12Press:People's Publishing HouseAuthor:Li TaoPages:291BookTitle:Pitch world and the spirit of Chinese art
Since Mr Zong Baihua since people tend to "pitch" ("flow") as a unique aesthetic style of Chinese art. This compared with the ancients advocate the pitching world culture intention, is more appropriate to the actual Chinese art. However, this kind of understanding is not enough: first of all, the ancient Chinese advocated by the world contains the essence of what pitch? Why did the ancients pay special attention to the pitch? This should not be interpreted. Secondly, the common aesthetic way a nation, must be the embodiment, a national aesthetic spirit so that it has an occurrence, development and shaping history and logical process. Pitch world as Chinese art aesthetic way, is no exception. However, it is how the development of China's art aesthetic way? It is a Chinese art aesthetic way in terms of what? "Heaven and earth pitch and the spirit of Chinese art" draft first through the keyword of "art spirit" and established the logical starting point of study and research methods, and then on the pitch and putting forward, connotation and development, with the comparison between Chinese and Western cultures, demonstrating that China should promote the pitching world ancient why, advocate what is the pitch of heaven and earth, and from a historical and logical two aspects discusses the unique pitch world culture is how to form the basic spirit of Chinese art, finally sums up and analyses the three-dimensional structure of Chinese art spirit: the spirit and the spirit of the universe, you mean. In addition, combined with the basic elements of art activities, to explain the four core keywords of the spirit of Chinese art.
Li Tao, born in 1969, Anhui Lu'an person, doctor of literature, is associate professor of Taizhou University, member of the Institute of Chinese literary theory, mainly engaged in the study of literary theory, has been in the "Orientalism", "Zhongzhou journal", "literary theory and criticism", "Journal of Fisheries of China", "Contemporary Writers Review" and other journals published more than 30 article, part of the thesis put "copy", "cultural and historical knowledge", reprinted. AP "Aesthetics", "literary criticism" course, textbook, participated in and completed the provincial (Ministry) research level project. Now presided over the research project supported by Zhejiang province planning fund of philosophy and Social Sciences and the late stage of the Ministry of education of Humanities and social science fund project planning.
The significance, method and basic research review and Reflection on the second day 1 pitching world meaning and modern interpretation of 10 section third introduction to tilt the world why to study the spirit of Chinese art spirit of Chinese art the first hundred years of the 16 chapter "Yang as the day, overlooking the view of law was to" first pitch of heaven and earth the origin of the awakening of man and culture: the 28 section second as the world: the influence of Chinese culture element the psychological 41 section third pitching the earth in the poetic spirit 61 fourth day pitch the world of early Chinese art 76 the second chapter "will to the world for the" and "the only contact the spirit world" first day "style" and "happy world" 88 second day free culture and nature: the spirit of differance contribution of 114 section third and moral spirit of Chinese art of 126 fourth day world of spirit of Chinese art and the 132 the third chapter "pitch complacent, you heart Xuan" first day "pitching his": the intellectual life art 139 second "pitch complacent" aesthetic world 152 third "pitching his" in the spirit of art consciousness 173 chapter fourth of the spirit of Chinese art structure section "Fu Qin operating, so the mountain are sound ": swim spirit 185 second" a picture is divided into three parts, the lower up for business ": the spirit of life 200 third" Qiankun 万里眼, sequential hundred years heart ": the meaning of the universe 217 chapter fifth pitch in the world of spirit of Chinese art aesthetic keywords section subject:" the heart of heaven and earth "238 section second aesthetic tension:" and "242 section third aesthetic text:" out of "the 247 section fourth aesthetic creation:" to the law cannot "253 the Chinese art spirit of modern value appendix: the core category of Chinese classical poetry bibliography 282. 289
The copyright page: that in the field of religion, the spirit is generally divided into two forms: one is the subjective spirit, it mainly refers to the inner psychological phenomenon of human beings; the two is the objectivity of the spirit, which is mainly composed of the sum of specific knowledge and culture of human agency. Both we usually said the "spirit" of the building of human civilization. Accordingly, two different methods are put forward the spirit of Carl Jung. He believes that the objectivity of the spirit is the spirit of the material of the exposed part is revealed truth, can be studied with the method of empirical science; and the subjective spirit is the spirit of the potential part of material and mental imagery is discussed only in "Chronicles" and analysis method. In addition, Carl Jung also stressed that as the psychological level of spirit is spontaneous and autonomy, show the control ability of absolute, in some extent, the creation spirit is not a person, but the spirit gives human creativity. Thus, he further put forward the spirit of "prototype" problem: "the spirit of the psychological expression instantly shows properties they have prototype. In other words, we call the spirit phenomenon depends on a kind of primitive image independent existence, it generally appears in human psychological structure of consciousness." The book argues that this understanding and analysis of Carl Jung's "spirit", can from the following two aspects to reflect the spirit of Chinese Art: the first. The Chinese art spirit often referred to as the potential psychological two organic parts -- part and art art show, and choose different research methods; the second, on Chinese art spirit must be potential part of psychology, must analyze the psychological phenomena as the spirit of art, can we truly insight into the Chinese art spirit the secret is, it relates to Carl Jung was known as the "prototype" things in the spirit of Chinese art production and composition in the existence of. A psychoanalytic study of Carl Jung is based on Western culture as the main basis, of course, can not be copied to the study of Chinese art spirit in years, but he said the "prototype" if only the attributes of autonomy and control of mental imagery, in the production and creation of Chinese art spirit in there, but its content is not self "unconscious",But the pitch and psychological and cultural awareness. Carl Jung said that if the reduction of western culture in the spirit of "prototype" according to Western myths and fairy tales, which solved the spirit of the production of western culture's secret, then, this book will be based on the ancient Chinese special appreciation of pitch and this phenomenon to restore the spirit of the Chinese art of "original", so as to obtain a new interpretation of China the spirit of the art.
"Heaven and earth pitch and the spirit of Chinese art" Editors: the head is the vastness of the sky, at the foot of the vast land, people in this world and all things as partners, the sunset date, spring and autumn, the endless. Our ancient people not only earlier found important pitch of heaven and earth to human survival, but also respected the pitch of heaven and earth, resulting in the formation of ancient "I pass heaven and earth" and "world I, spiritual construction mode, as Lu Jiuyuan concluded:" life, the world, must distinguish between heaven and earth and the pitch on a body to reach to the shoe." Pitch and the cultural imagination and spirit production, created the most ancient Chinese intellectuals, and intellectuals and expanded reproduction, and will in turn promote the cultural imagination and spirit production, "pitching the heaven and the earth and the spirit of Chinese art" first through the analysis of the understanding of "the word art spirit", to establish the logical starting point and research methods of study, and then study the pitching world problems, including its put forward, connotation and development, with the comparative method and demonstration of ancient Chinese why promote pitch world, advocate what is the pitch of heaven and earth, and from a historical and logical two aspects discusses the unique pitch world culture is how the basic spirit of Chinese art, finally summarizes and analyzes the three-dimensional structure of the spirit of Chinese art and the four keywords, an era, a time to say it. An era, there is the discourse system of an era. However, the spirit of the situation is different, people can each said the words, but also can have the same values and ethos, the demands of today's artists collective said the ancients had said something that is not realistic, but keep their same ancient artists and art pursuit and spiritual integrity and can always be.
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