The time of publication:2001-2-1Press:People's Fine Arts Publishing HouseAuthor:Xu ShuchengPages:292BookTitle:Chinese painting art history
Study on the early history (painting), but later can't help to the theory (Mei Xue), this is because am single history research is subject to its own theoretical accomplishment thin distress. Any study of history can't be certain views (Theory) guidelines, so, if you don't know the theory, will have to pick one pellet, throw a tooth Hui; if picked up some wrong theory (method), the consequences be unbearable to contemplate. This is the only reason diligently to theoretical research in the recent thirty years, the achievements in 1989 published "Chinese painting beauty" and "painting" published in 1991 two books. In forty years, I deeply appreciate the "share weal and woe, history" and "theory", can not be separated; the double, from two service. In theory if lost to history, easy to become a paper shell; similarly, if not go aesthetic theory, the original himself not to delve into the Marx doctrine, will allow some hanging "Marxism Leninism" under the guise of a political swindler lead astray. (such as the notorious repute "struggle Joinet law" or "realism and anti realism struggle" and the like) "history" and "theory", the true saying as Kant: "there is no content in thinking, intuitive que concept is blind." He says.
The aesthetic context -- Introduction to the first chapter of the history Chinese painting ordinary beginning -- to the painting from the primitive art (2000 BC - ad third Century) an original painting of the "modern" style two consubstantiality without three line function and art education chapter second individual awakening -- Humanism in Jin and Tang Dynasty painting (third Century - tenth Century) a new aesthetic vision of the Jin Tang from the "two Mei color state" to "金碧辉映" three "three landscape" and "Xu luteal ISO" chapter third Oriental realism art. Peak -- two Song court paintings (Tenth Century - thirteenth Century) a flower, landscape era new two Huizong Zhao Ji and Xuan three song "the courtyard body" painting painting history status of the fourth chapter of this paper, soil cry -- "wild" spirits (Eleventh Century - thirteenth Century) a scholar "ink play" beginning -- Su Shi, Wen Tong's painting "two meters" to the Southern Song dynasty literati ink landscape ink bamboo three "scholars" and "academy" style to blend the fifth chapter universal trend of Unification -- power industry history of Yuan dynasty literati paintings (thirteenth Century - fourteenth Century) a Yuan dynasty literati painting big * -- Zhao Mengtiao and Qian Xuan from the two high 克恭 to "four yuan" landscape painting three literati ink bamboo two style four characters the pommel horse new sixth miscellaneous painting chapter invisible change -- from "Wu Men" to the white Yang, sinomenine (School of painting fourteenth Century - sixteenth Century) a song and Yuan painting style two Ming dynasty literati paintings in the middle column -- "Wu" school three Chen Chun and Xu Wei -- the literati paintings of flowers and birds painting evolution four transformation -- Chen Hongshou and Cui Zizhong the seventh chapter through to today -- from Dong Qichang to the "Four Wangs" trendy (Sixteenth Century - seventeenth Century literati landscape Dong Qichang) new classicism theory and creation of two "Four Wangs, Wu, Yun" painting three changing rule system, through the open today the eighth chapter idea and don't -- eight, Shi Tao to the Yangzhou painting style (C. 17 - eighteenth Century) a colorful and early Qing Dynasty painting two eight, Shi Tao's artistic road three Yangzhou school's peculiar style of the ninth chapter to the modern road -- from the "Shanghai" to Qi Baishi...... Postscript
For nearly a century, the interest in primitive art grow with each passing day, the reason is the modern people often produce aesthetic sympathy for those primitive pictures and carved rough simple style. Especially in Europe, the original art and even become inspired people to create some opportunities to modern, Picasso is an example.
Make film friends often said that the film creation is a "regret" art, meaning that every time after finishing a project, always found that should be revised and cannot be changed shortcomings. In fact, any art or science works also have a similar situation: after -- which book publishing, the author read their own can not find many of them can be improved? Especially after some years, will find that there are many shortcomings or mistakes, must be reserved for later will have the opportunity to correct them therefore, the author; also hope public readers could give me. The writing of this book, once obtained people's Fine Arts Publishing House of Mr. Gao Zongyuan, Mr. Chen Lvsheng, for their support and help, we would like to thank. In 1999 October 26 day to finish the
Postscript to film friends often say that the film is a "regret" art, meaning that every time after finishing a project, always found that should be revised and cannot be changed shortcomings. In fact, any art or science works also have a similar situation: after -- which book publishing, the author read their own can not find many of them can be improved? Especially after some years, will find that there are many shortcomings or mistakes, must be reserved for later will have the opportunity to correct them therefore, the author; also hope public readers could give me. The writing of this book, once obtained people's Fine Arts Publishing House of Mr. Gao Zongyuan, Mr. Chen Lvsheng, for their support and help, we would like to thank. In 1999 October 26 day to finish the
"Art history" China painting by people's fine arts publishing house.
Chinese painting art history download
Chinese painting art history download
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