雏凤清声 - fourth Academy of Chinese Traditional Opera graduate student forum

雏凤清声 - fourth Academy of Chinese Traditional Opera graduate student forum


Basic information
The time of publication:2011-12-01
Press:Culture and Art Publishing House
Author:Dong Xin
Pages:367
BookTitle:雏凤清声 - fourth Academy of Chinese Traditional Opera graduate student forum
Summary of contents
The religious element in Zhao Yongheng abstract the monks -- on "Si Fan" and "Akie" indulged in red: Buddha, teaching two impact on Chinese opera is very profound, great. In some representative works of opera, religious elements as a symbolic image plays a unique role. But on the other hand, religion and drama is a symbol of the sacred and the secular is very different from the existing. Therefore, this paper selects the "Si Fan" and "Akie" two great religious characteristics of drama, the analysis of religious elements in the content and structure, and the influence of drama style, in order to clarify the dialectical relationship between religious elements and opera meaning and aesthetic structure. Keywords: Si Fan; Qiu Jiang; religious elements; image; aesthetic in the Chinese classical opera, religious element contains a rich and delicate. They are woven into special plays, inspired the later careful viewers countless thoughts and imagination. For example, "the West Chamber" in Zhang and YingYing and why it was arranged in a universalist temple the Buddhist Pure fix the? Under the pen of Tang Xianzu, Liu Mengmei is on the plum view after the Du Liniang back to life and love, situation that what voice? All these, and so on. Therefore, the religious element in many opera should not only be freely as irrelevant "decoration". Whether in the drama content, or meaning, they are in a unique way to play a key role irreplaceable. As the French semiotician Roland Bart said, image elements "in works of art is not merely an unrestricted for the reflection of object, it is our world for processing, to create a code in the world, is a kind of symbol." The function of this numerous religious elements for the opera to special attention, may provide a new window to understand some of the drama works. In China, influence of Buddhism and Taoism to social life has been thousands of years, while the opera as a product of the world, as the mass entertainment style naturally bearing the Chinese people since ancient times for the imagination and experience of religious diversity. Some of them always popular, widespread, rooted in the folk culture of the opera is created a well-known religious figures, such as "Si Fan" in color, "Akie" in the Chen Miaochang, their every move, smiles all fresh interpretation of the "red dust" and "the other" "" this is endless variations. Therefore, the opera was tantamount to a Chinese opera in the religious element. One, love the red "Si Fan hill" Liyuan to as the saying goes: "male fear night flight, the female feared Si Fan." It is said that the two play the most can see wusheng actor Kung fu. Thus the "Si Fan" for the importance of actress. After the mortar after day on the play to figure out, understand and rehearsal, the performer not only consummate their singing form, and perhaps in the unconscious from this simple small nun Hess story also completed a psychological youth "enlightenment". Which to play such an important game, and its origin has long been debated. According to Zheng Zhenduo, "history of Chinese Popular Literature", "Si Fan" from the Ming Zheng Zhizhen "goodness" Mulian opera and; later a textual research it from the late Yiyang cavity "torn" the script; Qing palace operas by Jinke "also said". However, the origin is unknown but not interfering with the "Si Fan" strongVitality: since its appearance on the stage, Kunqu Opera, Bangzi opera Gaoqiang system and drama are left its footprints. From the above, foot visible "Si Fan" for the actor and the audience since ancient times, the influence of. Even the literary master Mr. Lin Yutang also generous in their praise, in his book "my country and my people" in praise of the drama "the diction worthy when China first flow works said without shame". But so far, certainly must also arises spontaneously: small Gu after what can have like this through time and space charm? Let the story of her weiweidaolai.......
Catalog
The traditional opera film "barren of tears" director's pick extraction -- walking in the national film creation road director and creative inspiration to grasp the financial crisis under the new opportunity -- from the "lipstick effect" to see the development of cultural industry is the monk -- on "Si Fan" and "Akie" religious elements in a fool's paradise of the past or future the world how the cultural products of the socialist core values of international cultural exchange school textbook drama Kong Zi investigation on the use of "Yuan Gong that the two definitions of the physical expression of love -- on physical theatre situation elements from the opera" Huo Xiaoyu "on traditional opera adaptation of the dancing fairy of -- Analysis of Xuchang shadow art a destiny the epic struggle -- large Pingju modern drama" my Hulan River "points of discussion" Kam ancient recorded sound trial "on the character creation theory to explain Yu Shuyan irrigation area in the new century opera criticism of Kong Zi filial piety from the theory of" false and true "on the new TV series" a dream of Red Mansions "on" Dong Sheng and Lee ". Outstanding achievements in the music production string simulation technology in survey of shadow play music on the analysis of" xianqingouji "in the performance of the play Drama of new era of opera creation rules on Peking Opera actor personal cultivation "export to the domestic". -- Ma Lianliang "orphan" Cheng Ying clothing speculative test source Crosstalk Test Lang Shi Shan on virens sister is tree Ivy -- a brief analysis of Sichuan Opera "gold" the Zhongshan song for animation scene design modern Chinese painting "shape" of virtual freehand brushwork in brake -- on the freehand brushwork form in the opera animation image design unique charm of opera audience due to the loss of Zhao Jiping "courtyard" the piece of music analysis of the conception of "Shi Hou Ji" about the woman virtue of modern Henan Opera "Liu Hulan" music -- National Opera the modern Henan opera music creation influence from the origin of Chinese characters to examine the original state of the road of Chinese opera world -- an analysis of the thoughts of Lao Zi and Zhuang Zi in "Shi Shuo Xin Yu" embodied in Wang Zhizhang "tone test the original" version and the structure of opera animation scene design and cultural heritage development promotes the regional cultural industry development strategy -- take Shandong province Zibo city Yiyuan County of the intangible cultural heritage as an example of opera narrative analysis of video installation art's dynamic and static test The road @##@ industrial development of the Chinese art market after the financial crisis
"雏凤清声: fourth Academy of Chinese Traditional Opera Graduate Forum" the main contents include: the drama movie "barren of tears" director's pick extraction -- walking in the national film creation, on the road to the director and creative inspiration, grasp the financial crisis under the new opportunity -- from the "lipstick effect" to see the development of cultural industries, with red the monks -- on "Si Fan" and "Akie" in the religious elements, fond of preexistence and present, how the cultural products of the socialist core values, the international cultural exchange, the opera Kong Zi characteristics of college textbooks research, "Yuan Gong the two" interpretation. 
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