Chinese ancient theatre history

Chinese ancient theatre history


Basic information
The time of publication:2012-11
Press:The people's Literature Publishing House
Author:Liao Ben
Pages:306
Words:262000
BookTitle:Chinese ancient theatre history
Summary of contents
"Chinese ancient theatre history" in a large number of field work basis, combined with a large number of literature and cultural information as the basis, checking out a China ancient theatre form history. Make a careful and detailed analysis, discussion and materials more widely, but not bloated, citing detailed and not feel tedious, is by far the most comprehensive and systematically discusses the history of China ancient theatre. "China ancient theatre history" has a large number of literature and cultural relics, 160 pieces of pictures, is illustrated. 
Author intro
Liao Ben, vice chairman of the original Chinese Chinese Writers Association, vice chairman of the Federation of literary and art circles, Secretary of the Secretariat, researcher, Professor, doctoral tutor, a famous scholar, publishing "Chinese drama development history", "song and Yuan drama cultural relics and folk", "Chinese origin and history", "opera Chinese ancient theatre history" and other works 20 species, editor of "Chinese art history in Song Dynasty", "O roll back series" dozens, published papers, essays, essays, poetry, plays, CI and Fu 600 papers (song). Acquire work of philosophy and social science Chinese award, has five project prize, Chinese Book Award, the Tian Han theory of drama awards. 
Catalog
The first chapter preface 

second chapter stage theatre history evolution of
third chapter and fourth chapter site
the Jin Tang site
fifth chapter GouLan theatre
sixth chapter of the Tanghui drama
seventh chapter Teagarden.
eighth chapter Temple performing
ninth chapter Palace Theatre
tenth chapters other theater
the eleventh chapter modern transformation of
twelfth chapter foreign drama
> illustrated catalog tables directory
reference
republication postscript
Chapter abstract
The copyright page: illustration: the GouLan costs have different forms for the audience to receive. One is located at the door, the so-called "the studio mang Zhuang true cow", the audience to pay admission, "the banker does not know the railing" sets said: "to the two hundred money let me." One is in the course of the performance, the actors to the audience one by one for the reward, the one hundred and twenty back to the "Water Margin" back to the fifty-first Bai Xiuying rap zhugongdiao, sings, "Bai Xiuying picks up the dishes point at a way: 'property on the door, and there, on the guitar, wadi up. Hand to the front, Hugh teach empty too. ' 白玉乔 said: 'my son and a walk, you are to give you." Bai Xiuying from the stage into the audience turn down for money. "Southern Song Zhi" fourteenth snow snow singing at the Nanjing Royal Theatre, "the snow to sing a name [langtaosha]...... Light snow also charming coronas warbler throat singing a name [set]...... Under the stage all praised. I saw snow asked a red silk plate down, again ask all cable winding Kitty, Hao home court for reward." Probably charge form and performance form, performance of the whole drama is money first, the performance of other small kabuki is for money in the course of the performance. The theatre performances fare, "banker" is not the railing sets "two hundred money", the two hundred money in what would become known as base money, if a class set up one hundred seats, income is considerable. Probably in the medium above the city, actor make income is very abundant, so the "blue mining and" Zaju first fold write in blue and in Luoyang (or Kaifeng) as the field said: "I here more than other counties, this sort of thin art, is worth a thousand hectares of fertile farmland." Relatively rich income, so that his troupe in the city a stay for twenty years. Later the Chungli right advised him to monk, he love to enjoy the world, said: "I am ordinary people, want to eat dainty taste, to wear silk brocade thousand box." Refuse to go. The audience is mainly composed of city rich, "blue and" ninety percent off sediments on left right Xu Jian monk said: "Ze Xu officials on his watch GouLan Sanmen, I world never see a to see Mr. banister. (sing) a few have seen dancing in a big fairy." But there is also a monk watching the GouLan records, yuan Tao Zongyi "farming in Nan village" volume twenty-four said government GouLan collapsed, killed forty-two people, among them "two monks monk". The scholars in the imperial examination is not sometimes avoid suspicion, song, "Guo Tuan Kui Che Ji" volume five, said: "Zhu Zao, Zi Yuanzhang, Hui people. Nangong played a year, the final imperial examination, a scholar with into brigades di. The casual clothes, to any view. Have a sit, and the language is it." But they still have to change clothes into the theatre. Rural people occasionally to stroll the banister, song, Hong Mai "Rong Zhai essay" volume load, when the Northern Song Dynasty Kaifeng Fu Chun Ze villagers "taste in the play field view, and" on the way home met Hooper and barrel worn on the head, imitation play like dress Liu Bei. People don't always into the GouLan, into a avoid the joke, so the yuan Du Shanfu wrote "the banker does not know the railing" powder to make fun of. "Blue and" ninety percent off Xu Jian also make fun of left right: "I see you are not my people in the city, is a wandering river Temple sir, wash sleep eyelid, live in the cave, also does not have an outlook. I'm not laughing at you, I also do not see the banister." 
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  •     Fine printing, packaging, very satisfied
  •     This is my specialty, must learn oh!!!