The time of publication:2012-8Press:China Youth PressAuthor:Lan Qingwei, Wang YaleiPages:210Words:70000BookTitle:Guiyang narrative
@##@ Lan Qingwei of deputy curator of the Chengdu Museum of Contemporary Art
&ldquo in the development of contemporary art in Guiyang,; Guiyang Biennale ” is a relatively important event, held in 2003 second session when organizers started to think about “ Guiyang Biennale ” breakthrough and international problem, this kind of thinking in the third & ldquo; Guiyang Biennale is ” a specific embodiment: Southwest Chengdu, Chongqing, Kunming, Guiyang four cities aggregation. And the second “ Guiyang Biennale ” thinking is different, the Biennale is more concerned about the “ the regional ” and “ &rdquo localization;, but this concept embodied exactly is “ &rdquo — — internationalization; a case open art history context based on the expression. The younger generation of Guiyang contemporary art group will be “ urban parts ” K11 Art Village as a case, the collective exhibition of new paintings in recent years, unique style is different from Sichuan, painter. The origin of contemporary art in Guiyang held in Beijing in 1979 five Guiyang youth “ ” show, the 80's of the last century by Yin Guangzhong, Dong Kejun, Pu Guochang, Cao Qiongde and other artists represented a round of “ Guizhou &rdquo upsurge phenomenon. A new generation of Guiyang contemporary artists in maintaining regional and national character and develop a more personalized, more imaginative new schemata of — — this exhibition in Guiyang &rdquo “ narrative; theme, with the clue of time display a number of Guiyang since 1978 the development of contemporary art literature. “ urban parts ” art district as the main exhibition, this is not representative of contemporary art in Guiyang, only this one, but in a contemporary art case appears, through the expression of this case and show we can more easily in the contemporary art history context in understanding the basic features and characteristics of contemporary Guiyang art. … …
There are evident regional differences of the history of Chinese contemporary art. On the social economy, culture and living habits of the region plays a decisive influence, which is no exception in the arts. For 33 years since 1979, the Chinese contemporary art history, as the center for contemporary art in Beijing has been fully studied, display, historical growth rings clear, outside of this region many art history case remains to be mining research. This manuscript reviews to the Guizhou contemporary art history is a relatively unique perspective, in the process of globalization, such as “ how to adhere to the persistence of ” “ &rdquo how to deal with the relationship between internationalization and localization; “ how to bring fresh air to the localization of ” “ localization, the localization of the ” such problem is contemporary artists and critics have to face the topic, the phenomenon of Guiyang, is another point of contemporary art, Guizhou area landform, a relatively closed region, life here is a Han and many ethnic people, coexist with the Han culture and rich ethnic folk culture, Guiyang Biennale held in such the remote three line of the city, the environment and the experience and Beijing Shanghai City artists have the obvious difference, this book is for the special cultural phenomenon in the history of art review.
the preface the first chapter: Guizhou - 002 006 Alpine geography border culture 016 national traits second chapter: 1979-1989 Guizhou 022 to "Guiyang five youth Exhibition" to start the collective contemporary art 030 from wood to the device: the localization of contemporary art in Guiyang City 038 transformation Association: the first "official" of "contemporary art" 046 "up" and "down" third chapters: the 1990-2000 transition and transformation of 110 concept, image and behavior art 118 business in 122 criticism into the fourth chapter: 2001-2012 narrative to restart the 158 "Guiyang Biennale" 166 parts of city @##@ .
The book according to the order of time, introduced since 1978 in the Chinese market in the process, the history of the development of Guiyang contemporary art. Introduced the basic situation of Guiyang artists and art activities, the last century since the 80's Guiyang Biennale and Guiyang contemporary art. The book is divided into four parts, the first part of the analysis of Guizhou's special geographical and regional culture, to explain the "Guiyang contemporary art regional"; the second part introduces the "1979-1989 Guizhou" phenomenon, to the last century 80's Guiyang artists and artistic activities are described; the third part introduces the "1990-2000" ten years of China towards a market economy in the process, the art market, commercial, criticism gradually involved in the Guiyang contemporary art; in the fourth part the case Guiyang Biennale and parts of City Arts District, introduces a basic situation of contemporary art in Guiyang.
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