The time of publication:2008-3Press:Chinese film pressAuthor:Zhang AihuaPages:207Words:230000BookTitle:Individuality and commonness
Illustration: the first chapter challenges from the new era, a theoretical challenge in twentieth Century 90 years, various theories of rapid evolution, and foreign literary theory circles aphasia has always been the lofty position and discourse right, theory of literature and art is experiencing a great change, a new and old, change and conflicts between diverse ideas elite with the authority of the concept of pan. In fact, since 80's of the twentieth Century, the Western elite theory has begun to decline and disintegration, in 1985, W.J.T. Michel published "against" a theoryThe book, a new reflection on the theories of heat the book for 60 years, show the resistance theory attitude to the world. Then, in 1986, Borodin Man published his "resistance theory"; 1989 T.M. Cavanagh's "theory"; C. l999 and published a "Pogues challenges theory". They came to ask tough challenges to traditional theory. After entering the new century, with an introduction to the theory of "culture" was famous in North America critic Terry Igor Don in 2003 published "theory", his "theory has past golden age" that caused by the earthquake effect, impact force big on literary theory. He pointed out that mankind has entered the era of globalization, a different national and ethnic groups, between technology and art of the new room, so the theoretical research to get rid of that stifling legitimate limitations, to explore the new literature and art forms and topics. Here, on the one hand, we see the modern people to hate and resist the orthodox theory bound, on the other hand, his tone reveals a fact -- in the new situation, the Chinese on the previous waves of popular seems to have come to the end, this bold prediction not only caused a great disturbance in the academic and theoretical circles, also forcing people must seriously aesthetic theory along the evolution of literary and artistic forms of combed.
The first chapter of the book from the height of a theory of interpretation. The rapid development of science and technology in twentieth Century 90 years to make the film making method is undergoing fundamental changes in. The new digital media in particular has great impact on the traditional aesthetic modes. The second chapter traces the recent new USA film groups, personality style and creation of their orientation. They have new political, social and aesthetic value, the independent film spirit and political tendency, a marginalized person, violent language, trying to find a new way in Hollywood in this movie the hegemony of the kingdom. The other sections of different levels from the economic, social and analyzed the key effect since the 90's Hollywood on the global popular culture and film formation of the market, reveals how they used a series of successful new business models and strategies. In addition, also focuses on the analysis of the high-tech era America film morphology, we study covers the changes in the world film culture environment; digital technology a new era of film making and film concept; characteristics of digital movie style forming. The last part will be discussed in the global media environment of Hollywood cultural formation of Empire, will focus on the exploration of its industrial structure, business operation and circulation pattern, from which to grasp its development and trend.
Zhang Aihua, graduated from Beijing Foreign Studies University in 1989, obtained master's degree from the York University in Canada film / literature, Ohio University in 1995 USA art science doctorate, her tutor, including the famous Mr. Bullock USA zhe beauty professor and American comparison: one of the founders of Arts professor of whitman. Taught at the Beijing Film Academy, Beijing Foreign Studies University, Ohio @##@ America
In twentieth Century 90 years, has had the huge transfer film studies, structuralism prevailed for a long time, the scientific theory of signs movement has been questioned and challenged the academic circles in the new period, especially in the west, with the construction of pluralistic society, an unprecedented "interdisciplinary", "cross field", "research across the nation" is a large-scale expansion. Produced a number of anti authority for the characteristics of the theory and concepts, such as "Intermediate Theory" and the aforementioned "interdisciplinary" theory. In recent years, especially with the deepening of economic globalization, "cross", "to be very influential cross-cultural studies", the rapid development of. On the one hand, shows the new trend of film studies culture to the context of globalization, but also indicates the importance of mutual understanding and dialogue in this field between East and West. In China, when we walk in the streets of Beijing today, the tall buildings from time to time to show us a world of style, we suddenly son to see the ancient Greece and ancient Rome rich a classical style building, flying to the Gothic buildings, from time to time will be other strange modern buildings, egg type, network type, everything is intertwined, expressions, they are from another point of view to show us a new international dialogue century.
Individuality and generality: Chinese American film culture comparative study of the first chapter from the challenges of the new era, a theoretical challenge two, practical challenge three, challenge second: who are we? The main director of Sino US new movie person's declaration, America "X generation" and its op. two, Chinese "sixth generation" filmmakers and op. three, two new filmmakers and their works the third chapter is the comparative study into the animation time: from the other side of the challenge, the Disney mode of thinking two, American animation differences between the three, the cartoon aesthetic representational differences between four, American animation aesthetic connotation differences between the five, fourth chapter of China Animation Industry between China and America movie and digital stunt making difference, digital movie stunt in the meaning of the two digital special effects in the movie, the basic aesthetic function three, digital stunts in the US film in the comparative analysis of the application of four, China the movie digital stunt application case and element analysis five, US film digital stunt of difference of six, China film digital stunt attitude of the fifth chapter of Zhang Yimou and Spielberg in the film children image a comparative study of the sixth chapter of Sino US film star and fans, a Sino American movie star and film industry two, since 90, film and television stars and fans three, film stars and the new period The seventh chapter America interactive development trend from MTV: the mixed art form and style, MTV two, MTV into the Chinese and Sino US film chapter eighth Sino US edge film narrative similarities to a non line, from line two, inverted sentence format, from three to four, the composite parallel dream polyphony ninth chapter structure since 90 time American women in a movie, undeclared: from USA communion sex movie USA Reagan era male counter two, Chinese in recent years, the lack of women in the film three in popular culture: from the male, female, gay to humanity tenth chapter rock and Rebellion: the similarity of eleventh chapter sentiment symphony of coke new Hollywood film and China films of the sixth generation of rock, rock culture and new Hollywood film two, pop culture and Chinese "sixth generation" film three, new Hollywood and China "sixth generation" movie rock rebellious spirit is four, the new Hollywood and Chinese "sixth generation" the movie movie style: Study of Chinese and American new generation of film sound, the new generation of film theory two, in recent years the movie sound perception Theory research and practice, three Chinese Cenozoic movie sound creation four, after 90 years America movie sound creation trend five, America Cenozoic movie sound creation six, Sino American Cenozoic movie sound common postscript
This is my first attempt since 2003 after returning to the comparative study of Chinese and American film. It is based on my investigation of several years teaching in the accumulation. Comparative study is a cross national, cross domain, a new interdisciplinary research methods, it has become a popular trend in North America, but in China has just started, especially for Chinese American film is being the center of attention China scholars in recent years. We hope that the research can bring a new academic exchange platform for the field of education, plays an important role in. I sincerely thank the support of Harbin Institute of technology, he gave me this book chance! This is Beijing Film Academy 2004 surface research project, project number: 2004MS27 is part of the school of graduate and undergraduate students participated in the study, in the process of writing, their successful case analysis gave me a lot of inspiration and support. Among them, Zhang Xue participated in the study of the second chapter China "sixth generation" film; Zhu Haitao participated in the third chapter; Zhou Qiaoling, Liang Mengquan participated in the fourth chapter of fifth chapter; Guo Shuhan; Zhai Yuhong of the sixth chapter of seventh chapter; Xu Shanshan; Zhang 鉝 Kun eighth chapters of the ninth chapter of Wang Juan; the tenth chapter studies Jiao Jiao; fan, the eleventh chapter research field. We hereby acknowledge the efforts! Finally I want to thank my father Zhang Xiying and brother Zhang Xinhua, brother Zhang Jianguo writing during the support to me, without them the support, I would not have finished the writing of this book.
"Individuality and generality: a comparative study of" Sino American movie culture published by China film press.
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