The time of publication:2007-5Press:Beijing YanshanAuthor:Zhu ZhongshouPages:260BookTitle:In China arts and crafts
I wish a brief comrade "(Chinese arts and crafts history" forthcoming, deeply gratified. This book informative, clear, argument is original, simple style of writing, it is one of his new achievements in academic research in recent years. Heavy Shou rigorous scholarship, research on early in the history of art in Asia; during the doctoral degree, and to China art history topics for in-depth exploration, and to link the two organic. The ancient East and West cultural bridge technology, which was later called the Silk Road and the ceramic road, long before the Qin Dynasty that has occurred. Legend of Yao and Shun era interact with folding supporting country and Liang Souguo was not test, and the Han Dynasty, the western regions and the Tang Dynasty and the Yuan Dynasty, Ming Dynasty, Arabia, and Southeast Asia, and Western Europe in the Qing Dynasty, is found in the literature. Continuous communication between East and West, so that the process of culture to pull and push, exchange and fusion, greatly promoted the development of technological culture. This is an important research topic in art history and foreign art history, often ignored by the people. "The history of China arts and crafts (Illustrated)" discusses the artistic characteristic and the law of development history of art, but also to a large number of historical data, compare from the eastern and western economy, culture, science and so on, the Han Dynasty, Tang Dynasty, lead glazed pottery, the Ming Dynasty Yuan Dynasty blue and white enamel process varieties, as well as Zhu Wen, grape grain, and application is discussed, put forward the original opinion, some is to fill the academic blank. This is one of the academic value of the book, is a dedication to the art history subject.
"Art, Wen Bo, tourism professional basic theory teaching material: history Chinese arts and crafts (Illustrated)" discusses the artistic characteristic and the law of development history of art, but also to a large number of historical data, compare from the eastern and western economy, culture, science and so on, the Han Dynasty, Tang Dynasty, lead glazed pottery of Yuan Dynasty blue and white, Ming Dynasty enamel process varieties, as well as Zhu Wen, grape grain, and application is discussed, put forward the original opinion, some is to fill the academic blank. This is one of the academic value of the book, is a dedication to the art history subject.
I wish a brief, doctor of Tsinghua University Art History Department of Academy of Fine Arts, professor. Professor: Chinese art history, foreign art history, art history, China China mural history, European history, history of Oriental paintings, murals, sculptures in history Chinese China only courses. Works: "history Chinese mural" (Cultural Relics Publishing House, 1995) "(" European paintings of Cultural Relics Publishing House, 2000) "a brief history of Oriental murals" (Cultural Relics Publishing House, 2005) "history Chinese illustrations" (Tsinghua University press, 2005) China "art history" (Beijing Yanshan press, published in 2007) "on the stage and the origin of problem Chinese beads (" Taiwan "cultural relics of the Imperial Palace", 1992.3) "a China fetal copper filigree enamel (Cloisonne)" ("the origin of the Museum of the the Imperial Palace journal", 1992.3) "on the question of the origin of China blue and white porcelain" (Taiwan "appreciation", 1994.4) effects of "Sino foreign cultural exchanges Chinese ancient arts and crafts (" Taiwan "cultural relics of the Imperial Palace", 1996.7) "China ancient sculpture decoration of traditional" ("sculpture", 1998.4).
Preface Chapter 1 introduction of primitive society of Arts and crafts festival second Festival first the origin of art pottery origin third pottery arts festival fourth black pottery arts festival fifth original pottery art features sixth other original technology of second chapter of Xia Shang Zhou bronze arts and Crafts section shape classification of second day third Festival bronze bronze patterns in the staging of the fourth day the other process chapter third spring and Autumn Art Festival second festival bronze process first dyeing process section third lacquer fourth jade carving craft ceramics fourth chapter fifth section Qin Hangong arts section bronze process section second dyeing process section third lacquer fourth ceramics fifth jade carving in the fifth chapter the Wei Jin Southern and Northern Dynasties art the first Buddhist process the second day third Festival art porcelain dyeing process section fourth lacquer fifth metal process and jade carving in the sixth chapter of Sui Tang and Five Dynasties ceramics arts and Crafts section second section dyeing process third metal process section fourth lacquer carving seventh chapter fifth section of Arts and handicrafts section ceramics second day third Festival lacquer dyeing process Process fourth metal process section fifth carving appendix Liao ceramic arts and crafts process of metal silk process the ceramic arts and crafts process silk process of metal process chapter eighth arts and crafts of the first section ceramics second dyeing process third metal craft fourth lacquer fifth jade carving in Ming Dynasty ninth chapter arts section ceramic technology second section dyeing process section third lacquer fourth metal process section fifth furniture section sixth carving chapter tenth Qing Dynasty arts and the first section of the Gong Tinggong Art Festival second folk arts and crafts festival third minority ethnic arts and crafts
Illustration: Chinese primitive arts and crafts in pottery, weaving, and textile, jade carving, ivory carving, bone carving, lacquer work etc.. Knitting and textile weaving process technology is to use a plant stem branches woven articles for daily use, obtain raw material locally, practical and beautiful, is probably the earliest art. The textile process is developed on the basis of weaving. All two early in pottery, Yangshao culture pottery bottom mark have woven pattern (Xi Wen) and textiles (linen texture pattern), the Yellow River, the Yangtze River two river basin has spun by stone or pottery spinning wheels, indicating that the existing textile technology. Shaanxi County found that the original social red fragment of linen, indicating that the fabric dyeing. The Neolithic Age (the Longshan culture period) Zhejiang Wuxing (Huzhou) Qianshan Liangzhu Culture silk weaving process, silk unearthed the site of debris, meticulous organization, since about 5000 years. Silk weaving process is China great contribution to the world. Textile technology development at the same time, clothing and clothing technology also developed. Mainly refers to the jade carving, tooth, bone carving, is developed from the late Paleolithic stone tools, stone process, after the continuous production, a few million years of dressing, processing, improved, landscaping, especially in the late Neolithic, jade, tooth, bone carving technology gradually mature,Peak.
"The history of art, Wen Bo, tourism professional basic theory teaching material and China arts and crafts (Illustrated Edition)" published by Beijing press of Yanshan.
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