The time of publication:2010-8Press:China Social Science Press.Author:Zhu YinhaiPages:264Words:237000BookTitle:A comparative study of Chinese and Western literary theory of Marx
Zhu Yinhai, Shandong Linqing person, was born in 1950 August, is now a professor of Liaocheng University, art institute director, supervisor of postgraduate, and chairman of the national literary theory of Marxism Leninism Research Association, director of the Shandong Provincial Institute of aesthetics. For many years engaged in literary theory teaching and research, has published "Marx Engels", "aesthetic thought of literature and art of Marx's theory of literature and art", "Introduction to art", "art film", "basic course of film aesthetics theory", 6 academic books. In the "learning and exploration", "social science of Shandong", "Heilongjiang Social Sciences", "Inner Mongolia social science", "art film", "film review", "video art" and other journals published more than 60 articles, including several articles published by Renmin University of China press center of Renmin University of full text reprint. The arts and culture in Shandong Province outstanding achievements in scientific prize, two prize 1 items; graduate of Shandong province provincial teaching achievement award three education 1.
The formation of Western concept of Marx's literary theory and Western "World War II" is generally the cultural crisis awareness and social ethics idea change of anxiety are closely related. Needs to be pointed out, "the Marx doctrine" people generally regard it as a regional concept, refers to the inheritance and development of the developed countries in Europe and American in western literature and literary theorist conditional on the classic Marx's theory of literature and art. They opposed Lenin and Soviet culture and art theory, emphasizing the subjective of revolutionary and critical spirit. "The Marx doctrine" is not only the aesthetics and literary theory, it should be said that since twentieth Century the West consciously use the Marx doctrine comprehensive critique of modern capitalism powerful social groups. The development of western modern capitalist production is accompanied by the rapid development of science and technology and the emergence of an unprecedented economic growth, especially in the United States, Britain, France, Japan and other countries of the economic prosperity is more eye-catching. But the resulting situation is: on the one hand, the developed countries in the world have social material unprecedentedly rich rich, but on the other hand, people in bourgeoisie fascism spread and the deep social crisis and spiritual crisis. This extremely contradictory and tearing of the reality, it is the main object of Marx's ideology theorists concern and criticism. It is interesting to explore the reality of the social cause of the Western Marxist theorists in the research of Marx, and without resorting to the actual social practice and revolutionary act, but to the spiritual realm, the capitalist cultural art to study and critical depth. Since twentieth Century 20 years, the western doctrine of Marx began to sprout development. People usually put the founder of Lukacs as western the Marx doctrine, especially many views in his "history and class consciousness" in one book, has a great influence on the later western of Marx's theory of production.
The first section of and Marx's literary theory concept formation and practice of second and Marx's literary theory the concept of comparative analysis of third section beyond the spirit of innovation and development of Marx's theory of literature and art China the first chapter and Marx's literary theory concept and political section and Marx's literary theory the political consciousness of the form a China early Marx's literary concept is a product of the development of social and political reality. two new China established Marx's literary ideas and political marriage strengthened second festival art and political connections and serve the political struggle. a Western Marx's literary concept is the international communist movement the rough results two West Marx's literary concept representative and labor movement practice three West Marx's aesthetic study on does not have the objective to create realistic third day art criticism and art self-discipline. a Chinese Marx's literary view revolutionary and political Treatment services. two western literary consciousness of Marx's view of criticism and the autonomy of art second chapter of Chinese and Western literary theory ideology of Marx the first festival of ideology and political power and cultural power. a Gramscian theory of ideology, to Althusser: political power and cultural power separation two Chinese Marx Marxist ideology theory and practice: the political power of cultural domination. three ideology and cultural leadership second ideology and the relationship between a "false consciousness" and the negation of ideology. two the ideological nature of literature and art. three China Marx view of literature and the relationship between ideology and Western views Marx's difference of third chapter of Chinese and Western Marx realism literature theories idea the first section of the Marx classical realism idea influence second China Marx's literary theory of the realism. a Qu Qiubai, Zhou Yang, Feng Xuefeng laid the foundation of The Marx doctrine of realism literary theory foundation of two China socialist realism literary creation principle and third sections of Western Marx realism literature theory concept of a Lukacs and Bly Hitt created Marx's development of western realism theory two Fischer and gallotti presents open realism three Adorno's negative Realism -- modernism fourth sections of Western Marx realism literary concepts and comparative analysis of the a steeped distinctive political and artistic creation principle of two realistic performance steering and art strong critical spirit three typical image creation in the traditional and modern development of four Art a single form of expression and diversification of the open fourth chapters and Marx's concepts of literary aesthetics. the first section and Marx's literary aesthetic concept of the formation and development of a Chinese Marx aesthetics idea formation -- highlights the practical characteristics of two western Marx Lord Yi Wen The rise of art aesthetics theory, publicizing the negative mental second festival of Chinese and Western Marx's practical aesthetics and negative aesthetics essence analysis of a Chinese Marx's practical aesthetics materialist and dialectical character two West Marx's negative aesthetics essence connotation of third correct understanding of Chinese and Western Literary Aesthetics in Marx nature a China practice aesthetics emphasizes the practice of social life of beauty creation of important significance of two western Marx aesthetics is to critique of ideology theory three Western Marx aesthetics publicity is the western modernism art fifth chapter of Marx's literary ideas and accept the first Festival cultural context and literary acceptance a concept from the enlightenment to the revolutionary discourse -- China culture to accept the concept of two cultural deception, false needs and aesthetic salvation -- the western industrial civilization context accept criticism concept of three acceptance of art in Chinese and Western culture in the context of the importance of second day Marx Zhu Yiwen to accept Western Art Comparative analysis of the concept of the subject status of subjectivity. a recipient two recipients of freedom and creativity in comparison to the sixth chapter of Chinese and Western Marx in context of modern the first Western Marx nationalism and modernism literature second China Marx nationalism and Modernism. a Marx doctrine and the ideas of art and literature China modernism art ideas two of Marx's breakthrough and China modernism declining three Marx's openness and China modernism recovery Comparison of the third day of Chinese and western modernism literature conception of Marx a historical circumstances: different historical circumstances encountered modernist generation compared two different developing pattern art concepts : the different historical period encounter modernist form different concept in the development and morphology of seventh chapter of Marx's modernity and literary ideas the first section of the Marx principle of the modern concept of second of Marx's critique of modernity based third section Marx literary modernity concept analysis of the essence of literature perspective from static to dynamic -- "art production theory" put forward two formalized content and form of content of Aesthetics -- "the history," the spirit of three language cage -- Marx's view of language of modern problems of postscript @##@ bibliography
As the final results of the National Social Science Fund Project "comparative study of Chinese and Western literature and art theory" concept of Marx. The main objective of the study is to through the system, the concept Chinese and west of Marx's literary theory comparative analysis, and then reveals the main characteristics and essence of Marx's ideas of art and literature and their respective, find out the deficiencies and errors in Marx's classic literary theory the concept of inheritance in the process of development, and draw the proper the experience and lessons from it. In addition, a comparative study on the theory of "main" and Marx's literary theory concept value lies in the comparative analysis of effects on the concept of Chinese and Western literary theory of Marx, help us in the contemporary literary trend and the exchange and collision in the basic spirit, fully and accurately grasp the concept of Marx's theory of literature and art, get rid of Marx literary theory dogmatic style understanding and eliminate, attached to a variety of Marx's name wrong, and combined with the practice of contemporary Chinese socialism development of literature and art, in comparison, beyond, the spirit of innovation, the system construction Chinese Marx's theory of literature and art, and then make a theoretical contribution to the creation of a harmonious socialist culture. The book was edited by Zhu Yinhai.
"Comparative study of Chinese and Western literary theory of" Marx concept of China Marx literary theory and the classical Marx's literary theory and Western Marx's literary theory of the panoramic, published many original views of western literary theory, Marx's charm and limitations of the survey and evaluation more accurate. This work, a comparative study of China Marx's literary theory and Western Marx's literary theory is the pioneer and create a beneficial attempt, for reference, to undertake and absorbing the western Marx's literary theory thought resources, thus establishing a more open, integrated, transcendence, innovative ways of thinking, with the construction and development it has important academic value and practical significance of Marx's literary theory Chinese contemporary form and sense of the times. The book was edited by Zhu Yinhai.
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