The time of publication:2012-8Press:Chinese and western.Author:The British are not thePages:285BookTitle:And their dance
Pick up the fragments of time export Yichen rational to pursue the development path of Chinese female documentary is a difficult thing. They like debris, in the long time are submerged in the men centered background. People are used to the discourse hegemony of men, accustomed to the absence of female, until the 90's of the last century, a group of brave and strong female documentary filmmaker was born, the silence was broken. The memory of the moment is worth if you go back to 1990 and China documentaries, you will find that in today's world is a documentary Waner level characters have emerged at the time: Wu Wenguang completed the "wandering" and "Beijing home", Jiang Yue completed "the other shore", Duan Jinchuan and Zhang Yuan completed the "Plaza". "New documentary movement" is carried out in full swing, independent production and independent creative ideas become this batch of new documentary about a topic. Also in 1990, appeared almost simultaneously with the "street Beijing" documentary "in search of Cobra", is a bit like Wu Wenguang from Yunnan female director Liu Xiaojin. Similar to "stray Beijing", this piece of locking the cultural elite, not only to track a female artists struggle, more meaningful is to explore women's dream and the metropolitan cultural relations. This works in today has basically no mention, if not in an article was talked about, we won't know it's there. Don't know "Cobra" can become a female in the new documentary for the mountains, at least we know, in 1989 as the watershed of "new documentary movement" amid the rise of male directors present at the same time, the female director is present. Then the writing of "new documentary movement" of the people, mostly forgotten two women: Ji Dan and Feng Yan. In fact, as early as 1994, in the DV era before returning from Japan to them, have begun to use small cameras (was only Hi8) began their documentary film creation, and their work was not until 2000 that more people know and recognition. Only in the "new documentary movement" is the book a is Li Hong and her "back to the Phoenix Bridge". Li Hong is considered to be "the only female voice", to fill the "aphasia women since new documentary movement", she finished in 1997, "back to the Phoenix Bridge", Lv Xinyu was known as the "female perspective" good works. In "back to the Phoenix Bridge", Li Hong focused on a few from the countryside to the girl and the fate of urban fighting, shows a distinct from the male director female position. This position has highlighted in this scene: at night, at a small nanny room, self describing a rural girl on his memorable love do, this moment let Li Hong insight to the same as the woman, things in common between her and the baby sitter: self, emotional search. It was at this moment, Li Hong captured the works of the soul: Reflections on the fate of women. If the graduated from the Beijing Broadcasting Institute, spent six years as a director in the TV's Li Hong, has a professional background for many years, so in 1999 the "dark horse" Yang Tianyi, is a complete absence of received image training actor. Her "old man" as the first DV documentary works concern, for some men documentary predecessors elitist who really is a fatal blow. It is a not from the elite group, also has never been involved in film and television girl, with a woman's intuition, kind-hearted and persistent finish a male documentary works of predecessors compared favorably with the documentary. The documentary elite status and the male dominated hegemony was shaken overnight. As Wu Wenguang said: "like the female movie, for those of us who hit men documentary is major, in the end should reflect on our machines, most of their own eyes to things is forehead behind a mass of nation historical responsibility, blind to the fog." Before and after 2000, the poet Tang Danhong, television director Ying Weiwei, actor Wang Fen, due to the different background of women directors have boarded the documentary China stage. Their works unanimously agreed to pay attention to life, attention to humanity and emotion, focus on the family face, collective show a relatively complete picture of female documentaries, the female documentaries creation to a small climax, from the theme, from the artistic expression, eventually completed the really belongs to the image of the woman. Tang Danhong's "the Nightingale" is not the only voice, three artists history of soul fragments, among them, Tang Danhong brave Americans themselves; Wang Fen's "not happy more than one" and Yang Tianyi's "home video", are at the scene of his family, the former is the search for their parents pain marriage, the latter triedThe mystery of his parents divorced when young; the British do not "box", the poetic lens, line drawing style concise, sketch out the closed world of lesbian beautiful, pure, paradise, two women will find true love, this pain, hard and brave to open the heart "the box",. The emergence of these women documentary filmmaker, and DV hot popular inadvertently echoes, and characteristics of DV and the women documentary theme is very suit, so with DV heat, female directors as a group are increasingly clear. In 1994 the documentary film creation Tong Li, as has been obtained within the system, as the individual has been flooded, until her "an HIV infected persons" won the best documentary on Asian Television Awards, she began to be more people outside the industry familiar with the. Some female film director is also concerned about the documentary, Ning Ying shot "journey of hope", Peng Xiaolian and Ogawa Shinsuke co wrote "kakis Rouges", in his documentary "the girl" knock on the door of the Hongkong film industry Huang Zhenzhen, is home to the entertainment has to documentary film. Of course, there are Cao Fei from the Academy of Fine Arts in her out of the documentary, "Sanyuanli" is a domestic female documentaries of the alternative. It is a group of women, constitute a complete picture of female Chinese documentary director colorful. Entangled life experience for the female documentary filmmaker, experience of life often becomes the direct motivation of their first film. Careful analysis, most of the female director is often because of their inner entanglement and pick up the camera, which in the Li Hong, Yang Tianyi, Tang Danhong, Wang Fen, the British not works have a clear statement that the indelible life color obsession and want to strike can not, they tried to appeal, they trying to explain, they try to break. Female director intuitively at the most secret of his heart, these irreplaceable emotion experience is often the women most true inner part, and this kind of experience way of expression often with poetry or prose mumbling and diary writing color. In fact, for Li Hong, "back to the Phoenix Bridge" the most fundamental significance lies in: it completed a experiences pale city girl, unconventional to another kind of shocked her life a quite different from his own life experience experience. As Li Hong himself said, making the film, I was my own. For Li Hong, her without any setbacks in life to make her think she never really lived, so by taking several from rural to urban girl, living someone else's life so she can really live a. This is significant for Li Hong. For Tang Danhong, his childhood when his father left her nightmare, like a strong background, penetration in the depths of her life, she cannot escape until suffering from depression. Brave Tang Danhong, in "the nightingale is not the only voice", boldly open the entanglement she has long been the childhood experiences, the intense questioning his father as "a process of cleaning process on her beaten". Tang Danhong said that filming this documentary is like doing a "pathological"; Zhai Yongming says she is "squeeze pus sores in the same" to squeeze the parents and himself in the dark and cruel, and bite the bullet to let the world see this surgical procedure. Liquidation father, this seemingly deviant behavior is another kind of pain for Tang Danhong, Tang Danhong called "in order to free". Anyway, this is a face pain, and pain. Start. Effects of growth experience and family relations on female documentary film creation, in the Yang Tianyi and Wang Fen expressed more directly. The breakup of the family and family relations distortions, is always wipe their lives not to shadow. Wang Fen attempts to "not happy more than one" untie many years entangled in the heart knot: why parents will be so painful to live together? Yang Tianyi's "home video" more like a Bergman style indoor theater, it makes people feel the pain. For Yang Tianyi, the parents divorced, the truth is a mystery, and the home of each person heart their answers. In fact, to explore the truth or not is not important, no matter whether Yang Tianyi in "home video" untie the riddle, parental divorce are inevitably affected her now, in her own marriage before the loss of life. There is no doubt that the female documentary director this myself, facing the emotional behavior, greatly impact the long form that emphasizes social groups, focus on ideology, pay attention to the far-reaching documentary film creation, but also greatly impact the male documentary filmmaker that focuses on social responsibility and historical discourse of "hypocrisy". Although most of the male on the female director works adopted a kind of attitude, not at, but it is still difficult to hinder them in the history of the development of Chinese documentary is a Book of color. In fact, in these seemingly individual, seemingly privacy, seemingly trivial behind bears great eternal theme: life and love. These living most of the life, the pain the most true these life idealism idealism can be ignored 7 brilliant, female documentary filmmaker who another strong color. In their works, often present with their ideal of life, the yearning, hope to achieve, can not be achieved. It may be a return to natural life style expectation, it is a kind of a dream unrealized extension, it may be a liability by the growth in given. Although the ideal results are often false, but the pursuit of idealism often become the great power to an immeasurable. In College Ji Dan went to Tibet again, where Ji Dan have a never had the experience, religious gave her feelings for the first time, a lot of things. This experience for many years after her again to find where idealistic origin. Concerned about the Tibet nearly ten years is a romantic follow season Dan, and in the following in the documentary seemed a by-product. "His happy life", is the season of Dan paradise, we also can be understood as, in season Dan called "look good" this family, Ji Dan hopes herFar from modern civilization, reply pastoral ideal. Ji Dan said that if the happiness of life represents the peace and satisfaction, if happy life means full of confidence and inner peace, to the future then, Kampot is happy. This is the season Dan ideal state of happiness. Read my economics Dr. Feng Yan in Japan, once the ideal is to do scholar, in the face of documentary, Feng Yan life around. Feng Yan of the Three Gorges attention over the past ten years, shooting a documentary "the dream" and "the Yangtze River woman". This seemed to be the extension of the heart of Feng Yan scholars dream, she tried to use her knowledge to explain what happens in reality, however, as Feng Yan himself said: "the economics I accepted education, awareness of environmental issues, the sociology of knowledge, has given me a lot of interference. I'm glad I persist, meet this of course should be attributed to the heroines, and I. If there is no common life that a few years later. I'm afraid so far to the Chinese farmers prejudice. As I grew into their life, my feelings to them from puzzled to sympathy, and resonate, from understanding to awe, produced a qualitative change." The cruel reality, let Feng Yan realize that human beings in the realization of material civilization at the same time, always losing things of the spirit for the price. Tong Li, very clear to carry the banner of a sense of social responsibility, which may be related to her long-term work in mainstream media, but also with her upbringing and her generation on the brand of the times. Tong Li is concerned with politics, and a social problem is closely related to the subject, she said: "I think my films should be on the development of the society. Especially my film repercussions in society so much, but you really see because it has changed the certain society, do you think your choice is quite correct, it is the happiest when." In Tong Li opinion, she is the documentary as a carrier, to realize their value, and this value is the social sense of responsibility. DV and the private English not after "box" deep feeling ground says: "DV is the liberation of women, particularly for women's liberation, hands are free and liberated soul...... Free everywhere...... The kind of free feeling makes me feel I am a little bird, I can fly, and DV is my wings." Indeed, DV light first female director can take control of the camera, but more to the point, which makes the female director to the most unusual and even the most delicate scene, or even private space. The camera at this time no longer represent the ideology and mainstream media will become the "writing" tool, of course, this is subject to participate in "writing". The image of Li Hongceng said: "DV is really like a fountain pen." Yang Tianyi film "old man", to dismiss the male photographers and recording engineer, a seemingly unintentional behavior has established a new manufacturing mode, at the same time, completely changed the relationship between the photographer and photographed person. It can be said that the emergence of the DV, create a basic condition for the appearance of female directors and female documentaries. When the female male documentary beyond the familiar visual field, on one's individual life, to the spirit and their feelings and emotions, to their most secret world, women truly has the ontology of documentary film. In several female documentaries emerged around 2000, coincidentally the emotion, family relationship, the demand of personal development, is not a coincidence, is the focus on the Chinese documentary long lack of human body as a force against the strong, although the female perspective is not much male identity. Such as Zhang Xianmin said, the female is inward, male is publicity, women should go back to the female body, return to the "box"; Wu Wenguang said: "I always had the feeling that a 'private' feminism vision into the recorded image will be China's documentary the gospel."
"And their own dance: Dialogue Chinese female documentary director" is a dialogue with the director of China female documentary interviews. In twentieth Century 90, a group of brave and strong female documentary filmmaker was born to women, their sensitive nature and delicate, face their own, face to face with emotion, greatly impact the long concerned about the formation of the grand event, is fastidious about the profound Chinese documentary. The author chooses the most representative of China's six female documentary filmmaker, according to their works, the creation of the back and a full range of interviews, showing the camera behind the woman unique charm.
The British had not, documentary filmmaker. 1999 documentary. The main works: "box", "the passenger", "Allah", "Fu Lei" Granny, "Shen Congwen" and "box" to participate in the Berlin International Film Festival, Switzerland Nyon visual reality Film Festival, the Hongkong International Film Festival, Singapore International Film Festival, Quanzhou International Film Festival (South Korea). Other works have won many awards in domestic and abroad.
Objective: to pick up the pieces of time Feng Yan: speculative Yang Tianyi lens: and documentary dance Tong Li: innate sense of responsibility Ji Dan: fly like the wind. Li Hong: the awakening of feminine angle of view not: Poetic record > sequence postscript
Brief introduction of "the Yangtze River woman" this works is four women living in two villages on the edge of the Yangtze River in the story. Their homes because of the construction of the Three Gorges reservoir will be permanently submerged. The Three Gorges project has not yet started from 1994 November to 2002 June, on camera witnessed events because of reservoir resettlement caused by immigrants, and change their lives and daily life. This book records the four age, reaction and choose all kinds of experience, position different women do in the face of lost their homes and land the life changes when different, recorded their depression, hesitation and complex thoughts, also recorded their hopes, dreams and in reality in the struggle. Introduction Liu Lizhen (born 1967) Mao Ping Cun "wave" salon owner Liu Lizhen is the village's most fashionable woman. Her hair dyed golden yellow, wear from the city shop to buy fur and leather and high boots, every night to the village of new ballroom run. Poor Liu Lizhen childhood with aunt works in the city, well-informed, although in the old people's eyes, divorced and Liu Lizhen's reputation is not very good, but she is the young people who yearn for city life village idols. "Guests wave" salon is in the Three Gorges site thousands of live outside. Every day, her shop have gathered a wide variety of characters, some is to watch the girl in the village, came to Liu matchmaking, some with personal purpose and Liu himself set almost. She was also a few men to pursue, the heart is very clear is relying on these families to live away from the site of thousands of foreigners, my own shop just to keep. She moves and they skillfully, only one objective: to find a good man to take her away from here. In the village, Liu Lizhen is a lonely dissidents, after a painful marriage, she did not want to, can not go back to the closed world. Her hair salon with the progress and the site of Engineering moved moved to move, dream to find the entrance into the world at the only contact with her and the "outside world" on the site. She even put the salon's name from the "tide" to "dream". Later, after two timesThe pain of love, she finally got his wish, marriage, and a lower her head truck driver girls of Jujube, is a 4 year old girl's mother. Guo Fazhen (born 1921) Guo grandma is a one stubborn old lady. Her only hobby is tobacco. When immigrants began in 1994, Guo and her husband of fifty years into the house. Because she didn't want the children to take care of old rely on self-reliance, to spend the rest of my life, so the children also offended. Guo grandma life moved five times, light the immigrants moved two times, although "people are moving to hurt, but Guo grandma don't care where I live. "Die slowly moving", as is her attitude toward life. In order to buy alcohol, Guo Nainai wanted to pick up the paper boxes, bottles, broken glass, nor to the children reach. Guo grandma three daughter-in-law Du Taiping, seven months pregnant, because immigrants account changes, the second was awarded the certificate invalid, on the same day induction ceremony of the Three Gorges project. In 2002, 82 year old Guo Nainai. On the new County built-up immigration new homes in a three storey building, has been blind and some dementia Guo grandma and daily life is in the dream and the dead people dialogue. Zhang Bingai (born 1961) Zhang Bingai doesn't love her husband. Although she has a long time and he shared the same bed, but in front of people, she always put her husband for HISTEP high. Twenty years ago, in order to live a better life, Zhang Bingai reluctantly and lovers break up, listen to the wishes of their parents, to marry to the river bank of the bear family. Her husband is ill, the family farm is almost rely on her a ^ stem. Zhang has two children, she often said that "he was sick and weak, if I were not when people look at him, others will tease. I can not let the children could not lift up. Since the parents put me out, I would have my children". Zhang Bingai is the only and last to remain in the village. Over the past eight years, the dam is closure, second immigrants has completed the relocation, ruins, only a 秉爱's cabin stood alone stubborn. In order to complete the task, cadres who again and again to persuade her to move to town, mobilization. Void and cadres in words, in the busy farm work, in the field, in the kitchen, laundry Creek, a 秉爱 quietly, premeditated like about her life. To her, these memories is that she lived, and every memory, are associated with this piece of land, no one has the right to take them away. Fu Yongju (born 1956) is cheerful, confident, fun loving Fu Yongju is director of the women of the village. In 1995, she and in the village as "barefoot doctors" husband to take the lead, the family moved to Shashi. Originally a family wants to open a clinic in the city, but the "barefoot doctors" does not have the open clinics in the city of qualification. In order to avoid the Health Bureau of the inspection, they have to repeatedly move. Three years later, in order to do a license to practice medicine, compensation and immigrants were almost all his husband has died of lung cancer. Just graduated from elementary school's daughter had to drop out of school to go to when the child. In order to live, Fu Yongju pitched a tent in downtown streets, living on sewing and mending shoes. Son returned home, rely on fishing for a living. An accidental opportunity, Fu met a "enthusiasm", to help her do the "minimal assurance". Fu Yongju never thought, this to her life to bring a ray of sunshine new hope, is a new "trap"...... P4-8
Author (British not) selected contemporary Chinese representative of six female documentary filmmaker, according to their works, the creation of the back and a full range of interviews, showing the camera behind the woman unique charm. "And their own dance (Dialogue Chinese female documentary filmmaker)" including Feng Yan: lens speculation, Yang Tianyi: and documentary dancing, Tong Li: innate sense of responsibility, Ji Dan: fly like the wind.
I always have a feeling, a kind of "private" female vision into record images will be China's documentary of the gospel. Wu Wenguang: I think my films should be on the development of the society. Especially my film repercussions in society so much, but you really see it because of the existence of changed some society. Do you think your choice is quite correct, it is the happiest when. Tong Li, I feel a kind of lonely will shoot a documentary, want to understand the life of others. Dan: @##@ season
After six years, finally saw the publication of this book, if the father underground has the knowledge, also should feel gratified. 2D06 in March of that year, the 67 year old father in a sunny morning suddenly fell down. The father walked, like an angel smiling away. It all happened in an instant, I was not able to see father last side. That morning, a brother from Shenyang calls, let me go home. I cried all the way through the rush to the airport, just twelve at noon, the first flight to Shenyang is at two twenty in the afternoon, I first think of more than one thousand km distance, distant to insurmountable. I am a person at the airport coffee room cry, for my friends static text, static call us on the phone crying. The plane is two hours, I can't stop crying, only drink water, can not eat any food, the heart has been broken, continue to be sad, fantasy and remaining hope of torture. This is the two hours of the suffering in my life. Father from the onset to leave, only ten days time, the heart has never been in him, sudden myocardial infarction...... I have to fly back to his side for four days, to see him peace to leave quietly. That afternoon before I leave, I want to hug him, but if he is excited, I hide the tears, pretending to be calm, only said one sentence: "Dad, I go." I don't think this is the farewell, I won't think of just four days after my father went away...... Regret is forever: a tribute to the father, but the father did not see its publication, he didn't even know that this book will to him, because I was ashamed to tell his father about, want to give him a surprise; I didn't see the father at the end of the day I bought for him wearing the red sweater appearance; father didn't receive my last sent his razor and cards, I take a message for him to the morgue crying to read: "the small white rabbit Dad: sleep well, have a good dream, good physical custody, take you to play. The little dog daughter." I was the last thing to do is the director of his father: the funeral hall always put his father's favorite music one one "Bamboo under the Moonlight", the father's body with yellow rose, I send the eulogy touched the presence of all the people.My father 67 years of life the perfect end, romantic father and rose and his favorite music and go to heaven. I believe that a loved one is telepathic. My father loved me, I also have the most loving father. The four day before the death of my father, I am in Shanghai, every heart angina, powerless, I thought I was ill. My father died that morning, my heart suddenly not pain. Now I know that my heart is for father worry to the extreme...... I believe that people have souls. The room for father's ashes are unlikely to have the music, but I clearly heard the song, father like most true, he must have told me: he is happy in the heaven! Miss is a pain, death two septal missing is forever cannot dispel pain. To do this book as my father the best memorial. Before writing this book with a publishing contract, but is completed will be published on the occasion of cooperative editing suddenly resigned, the publication of the book on the stranded, but also a place that is five years. Until 2011 May, I came across, and at a seminar on Mr. Xu Zhongliang, the manuscript to get his appreciation, only the book now. Thanks to everyone who accept my visit director, they did not fit, finish the book will is impossible; thanks to my friend Zhou Lin, wild husband to bring the book; thanks to Wu Wenguang and Dong Bingfeng, for I give my sincere help in the documentary way; sense of Mr. Xu Zhongliang and Xie Zhongxi. Editor Li Mei, thanks to their hard work...... Like father like my gift.
And their dance download
And their dance download
Art TXT downloadArt @ 2017