The time of publication:2009-8Press:Yunnan University pressAuthor:Li AidongPages:269Words:343000BookTitle:Research Chinese art pottery
Ceramic art is an important part of Chinese art. Although many studies Chinese art history books I opened special symplectic and ceramic art, or more only in the process of history in sub article laugh ceramic, but from the angle of the art history system and focuses on development Chinese pottery art academic monographs seems to still do not see more, the China art history study is not a pity. Mr. Li Aidong set the number of years of hard work, finally completed the "China ceramic art research", that the hard work is very valuable. Chinese art has a long history, pottery is the most bright this art River waves. Ceramic art creation is the Chinese ancestors first innovation activities, and it is closely related to daily human material life, but also the earliest aesthetic spirit pursuit and artistic creativity. In the course of development in the long Chinese art, ceramic art creation more constantly being injected more rich spirit and aesthetic elements, and become the most brilliant crystallization of ancient Chinese art. In the "research" Chinese art pottery this monograph, Mr. Ai Dong made clear on Chinese pottery history, both the Chinese ceramic art from ancient to modern time, and the evolution of Chinese pottery different types of styles of spatial expansion. Such as beautiful, black pottery of the ancient painted pottery, white pottery pure celadon, white porcelain, elegant and rich jade burial, under glaze finish off, blue and white porcelain, porcelain enamel quiet gorgeous, in the book by a specific description. Analysis of amidst the winds of change and the social and cultural background, evolution and thorough introduction to the pottery craft, make the rich and informative, interesting. Open this part illustrated art picture, as is a Chinese ceramics culture tour, is also an art aesthetic education, of course, broad and profound Chinese art, the development of rich and colorful, needs to have the mining and more in-depth studies of specific, but Mr. Ai Dong's efforts have been a cause for this landscape painting the most commendable a pen.
Li Aidong, Hui, in 1982 graduated from the Fine Arts Department of Jingdezhen Ceramic Institute from 1985 to 2003, the sculpture, the art department at the Institute of education of Anhui province. 2004 has taught at the Fine Arts Department of Yunnan University College of art and design, master's tutor, potters. CAN Asia (Asian Ceramics Association) member. Awards: 1988, Anhui province first ceramic exhibition Gold Award, silver award, in 2007, the first in Yunnan province "the U. S. Cup" award, excellence award, in 2008, Yunnan Province Fifth Session of Yunnan China painting exhibition "outstanding award" (the highest award) in 2008, Yunnan province first ceramic art exhibitions, 2008, the second session of Yunnan province "the U. S. Cup" award.
The first chapter of primitive society -- the origin of civilization in the first section of the original pottery pottery formation section second original pottery craft, form and characteristics of the second chapter of summer, business, week -- the reform of Bronze Age pottery pottery section of the funeral system and the rise of the second figurines pottery and Bronze Age pottery third chapter Qin, Han age) from a broad qualities to the lively first day of unprecedented and unrepeatable Terracotta Army of Qin section second across the glorious era of the third section open up a fresh outlook Chinese tomb figure fourth architecture and sculpture the fourth chapter the Wei Jin Southern and Northern Dynasties -- human era of burial pottery and porcelain plastic section in the plain weird -- burial pottery second pottery and Buddhism -- human era comfort third celadon porcelain -- and elegant celadon fitting shape for the fifth chapter Sui, Tang Dynasties -- sparkling glazed pottery art section Sui Dynasty pottery -- calm period of transition section second Tang Dynasty pottery -- rich shapes and types of the sixth chapter five generation, song, Liao -- porcelain brilliant period of the first section the Five Dynasties and Ten Kingdoms -- pottery and glazed status of micro section second two song porcelain plastic -- Art peak third Liao, Jin ceramics-- Distinctive regional characteristics chapter seventh yuan, Ming, Qing Ceramic Sculpture -- peak from Appendix 1: Li Aidong art pottery works (the traditional theme) Appendix 2: Li Aidong art pottery works (modern themes) reference picture postscript
Illustration: after the annexation war years, the realization of the unity of Qin in 211 BC, the capital city of Yang, Guanzhong as political center of gravity of the Qin Dynasty, established a highly centralized unified autocratic rule. In the unity of thought instruction, Qin abolished the feudal system, for counties, "Shu Tongwen, with the rail car, homotopy". This idea reflected in the cultural field, all kinds of culture is deeply branded with the marks of a unified empire, all reflect the imperial ruling class needs, desires and preferences. In various forms of cultural expression, Qin's construction is undoubtedly the most eye-catching, the momentum of the Great Wall is an example. The Qin and the Han Dynasties Chinese sculpture has entered a good period of development, "Qin Shihuang Shih" contained in the collection of the world, casting weapon twelve gold (copper), were standing on three feet high with an inscription on the copper base, Epang Palace before. Qin and Han Dynasties, many building palaces and royal gardens, the palace roof, the amount, the jade hall decorated with copper dragon 铜凤, legend of the copper thistle (like black horned head, body, tail like a deer god bird) high 40 Zhang, rare in the world. In other areas such as pottery, stone, wood, gold and silver, the Qin Dynasty sculpture is the pre Qin has a faster development, one of the most impressive is the Terracotta Army. L974, in the east of Mausoleum of the First Qin Emperor, unearthed a large number of life size sculptures of Terracotta Army, the academic circles according to archaeological data inferred that Terracotta Army is a part of Qin Shihuang's tomb burial goods. In recent years have scholars have argued that, without any substantial connection with the Qin Dynasty terracotta pit. The pits unearthed, car harness was against the Qin system, part of bronze weapons in the Qin Dynasty has been banned: second, terracotta head hairdo "crooked bun" should be unique and Chu people, Chu people dress also reflects the characteristics of "Shang Chi". Therefore, some scholars believe that, the real owner should be ruled Qin amounted to 41 years of the Qin Dynasty Empress Dowager Xuan (Chu 人芈's). What kind of view is correct regardless, to be sure, the Terracotta Army is the largest number of Chinese ever largest pottery art group, is a show of great beauty and prosperous art, is a kind of today can be regarded as a landscape, is the contemporary called "behavioral" and"Device "art.
In the book writing deeply Chinese art pottery history culture heritage, because the experience I have engaged in ceramic art creation and Research Co., the book there are still a lot to be peer. References and cited the views of others and text and pictures in the book, there are notes and references for record. Thank you for! Thanks to Mr. Zhou Guozhen, my two teachers into the field and Mr. Han Meilin! Without them there would be no me today. From the art and Design College of Yunnan University Dean Professor Leeson, and professor and Secretary Jia Sheng "studio" director Curtis fathers professor concern! And honored professor at the Yunnan University School of art and design, Mr. Cai Zhengfei wrote the preface to this book. Thanks to the Yunnan University press for their support and the planning editor! Thank my brother ceramist Ma Ying and his studio (Kunming City Artists Association ceramic base) long term support. The book writing data in the process of collection and arrangement of Shanghai Fudan University Research Center for historical geography master MS Yang Changyu and Yunnan University College of art and design in the master of my students the help of Wu Jun. In the book of Chen Yuan, Ma Hongyu pictures were obtained support; and also to use as a holiday home in museum for the rich resources, the picture shooting provides information of my students! Thank my parents, sister and wife Pu Hongying over the years, I devoted all my love and two to!
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