A critical biography of Hou Baolin

A critical biography of Hou Baolin


Basic information
The time of publication:2010-9
Press:Chinese Society Press
Author:Xue Baokun
Pages:289
BookTitle:A critical biography of Hou Baolin
Summary of contents
Hou Baolin is the older generation of Chinese crosstalk performer, made outstanding contribution for our country's development of the art of crosstalk, the book starts from Hou Baolin's life experience, combined with the research results of cross talk art, showing a different Hou Baolin as our. This book will open a door to the inner world of comic history and Hou Baolin and the secret of his success in front of you. 
Catalog
The preface of Hou Xin life approached Hou Baolin hunger charm born self-esteem lessons in life he chose the crosstalk crosstalk also chose his life to do Chen both traditional also trendy Tianjin audience God his comic civilization five crosstalk on trend bitter back and forth ugly in the former escape two for his new life and "improvement" sponge the same absorption sleep is today and yesterday is not always very Avenue Road is still excellent, it is better to be envied than never do Laohe crosstalk also irony flow jet flow into personal charm image gets ideas for loss of life in the foot with a footprint of Cultural Heritage said Beijing old lady Baimiao Liyuan style two paintings did. The crowd was floating summer half division semi friendship have to learn from scratch salt art is Jin Fanwan began to enter the role of rabbit died without fox grief and settle on the old Hou ecstasy ecstasy over full range of teacher labor is the most happy only dull party is really only a gentleman has three books by cooperation To make the stage folk cultural messenger guests pay close attention to casual and elegant bearing status of cultural conservatism know death and then know life experience annotated bibliography cognition art spirit in the twinkling of an eye become attached to the aesthetic stage style of elegant and refined atmosphere and natural person and modal simulation two comedy burlesque self deprecating wit and humor comic aesthetics three (a) the burden of organizational process role burden. The burden of the type of means (1) type (2). The dialectical relationship between the burden burden means (1) (2) the phenomenon and the essence of exaggeration and reality (3) vulgar taste and elegance (4) banter and don't abuse (5) fine and deep (6) and (7) neglect of dense naive and ingenuity (8) understanding and expectation (two) language and literature language (1) description language (2) talk about language (3) dialogue language style (1) times style (2) national style (3) local style (4) wide style four on "Hou" crosstalk Yue Zhuang in the harmonic ICO rich cooperation tacit understanding close exchanges as both God shaped color natural boast not leave adequate leeway would be just perfect The five comic theory pioneer art experience feelings of aesthetic value sense the spirit of exploration theory pioneer celebrity stage research work 
Chapter abstract
Digest born self-esteem Hou Baolin is a born self-respect. Hunger and esteem of his childhood antagonistic to each other and mutually entangled two lines, a common cast his future strong dual personality and flexible: in order to self-esteem would rather go hungry, because the hungry and more self-esteem. Pick up the coal cinder and selling newspapers are still support oneself. Pull the train a little "helper" flavor. A teenager is can't push that all by the shoulders and buttocks twist, hung two buckets of water a wheelbarrow, and that iron box or wooden box filled with water the wood car or cart only young and strong, the big boys can pull. I've seen usually in small donkey carts. He can only help people push, as then the rickshaw in the uphill laid-off moment by the children help push and pull to earn a coin, is absolutely difficult to fill their. Therefore, this several in his "autobiography" said living or simultaneously or back and forth in turn. The following is such porridge factory house porridge and holding the broken bowl to beg from door to door. The song "a train whistle son porridge factory, open the door, the child a little old lady to porridge, skin, rouge powder son to a basin" ballad, is Hou Baolin and his partners had sung, it now also can buy "Beijing Songbook" can be found in the to. "The train pull flute son, porridge factory door" is said to get up early to queue up, the children and the old lady to have less, but dressed actress favor, is the chef injustice. Already in between the lines reveals the awakening consciousness of common people. Then open the porridge factory is an act of kindness, by man or charitable organization for. "Save time, save the world", crowded children in hunger in the happiness. This song has been deep in his mind, even after the "Cultural Revolution" often mentioned he is moved, like the "bow, bow and denounced as" is difficult to erase the stigma. But to beg this step, is the life has come to the edge of life and death. Yes, in the "starvation, the road dead bone" date, where begging? Only rely on their own suffer hunger and cold miserable for "reduced the same person" a handful of sympathy. They may be just a bowl of Sour Rice rotten vegetables. It was enough to stab his tender heart. Self esteem is the birthright of human nature, the difference is of human and animals. Mencius said: "no sympathy, inhuman; without a sense of shame, inhuman; without delay of the heart, inhuman; no sense of right and wrong, inhuman. Sympathy, benevolence side also; a sense of shame, meaning the end; delay of the heart, courtesy of the side also; sense of right and wrong, wisdom side also." This is the Confucian "benevolence as the" so-called "benevolence, righteousness, propriety, wisdom". The relationship between them is mutual, no feeling of shame is not self-esteem, there can be no are all non good and evilHuman nature. Therefore, the so-called "the sense of propriety, the country's four-dimensional; four-dimensional atelectasis, country is the demise of" Ming training, can understand why the other three are from the positive enlightenment, but to "sense of shame (Wei Zhiyong)" be stressed from the opposite. Visible self-esteem on life essence, shame on man. Hou Baolin's self-esteem is not a king be overbearing, not scholars Shicai pride, rather, it is mostly a offensive personal expansion. And he is just a defensive self protection. To disgrace for the bottom line of life. Mencius said: "people can not shameless, shameless shame, shameless." This means: know shame can remedy, shameless past hope! Hou Baolin's disgrace based on patience and confidence based on. He is not to eat "food handed out in contempt" -- even started not to think it as shameful, humble gratefully took a handful of prey, but he said: when chewed them sour when, he felt "not white long a head two shoulders!" so he soon abandoned begging bowl flatly to study drama to the. Learn to play is enterprising and revenge. The summer I turned twelve, his apprentice Yan Zefu learning Beijing opera, and three months after the start of street performers. The day, with the master in the Bridge River Delta market with famous artists to (stage name "Ri") classes, performing Beijing opera, comic erhuang. Night, carrying a disabled brother "string alley" -- to the brothels singing. This is the beginning of his life important turning also took to the road of art. Although the entertainer or hand back down with a shallow basket to find people for money. But the idea has been completely different. The father "big boys, the psychological tension have run me" is undoubtedly a big relief. And even "of indomitable spirit of his own account, when the proud feeling". From this we can understand why only three months he has art to sell! Revenge mood and he is intelligent, and he has an amazing speed. Of course, it is not 坐科 formal training for several years, but not regular wild child play. Not only has no formal opera arts white, also do not have any business division. The so called "funny" Erhuang "because the show is not enough, funny together". Since not every rhythm photo reproduction of stage art, only a freehand brushwork left ten days singing a spectacle of a fragment. People can "subcontract out corner" (played in one corner), libretto can break off both ends, occasionally also can improvise a spot of shaking a burden. As has effect on formation of drama "drama" -- "farce". This kind of "play" is the "play", "game", and not strictly "drama". Also with a strong imitation play means. This opera popular in the Sung even pull a rickshaw are few children years, while meeting the requirements of no doubt fans also conveys that moment at the bottom of the fashion. This "funny Erhuang" with not much difference between the crosstalk crosstalk, is to take "farce" (commonly known as "henchman living"). Put on clothes, such as cigarette box made of Mandarin, the old clothes painted robes, and from the dead lift bar shop there rented "boots" and so on, are not only adapt to and encourage "Erhuang" funny color. It is "funny" Pan ugly "show", which can be compared with the formal stage work. Although not beg, but the earning ability in the view of Hou Baolin is not smart. There are always some despise and abandon the onlookers laughter. Mention of this period of life, Hou Baolin said to me: "in fact, or a beggar, just fold Gendou begging." He said that he and "Ri" all there is "a monkey" as the pain. P4-5
Editor recommends
Hou Baolin is the older generation of Chinese crosstalk performer, made outstanding contribution for our country's development of the art of crosstalk, the book starts from Hou Baolin's life experience, combined with the research results of cross talk art, showing a different Hou Baolin as our. This book will open a door to the inner world of comic history and Hou Baolin and the secret of his success in front of you.
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  •     Mr. Bao Kun is the knowledge you, art theory research unmanned can enemy, this biography, more than the general art works, it is an abstract aesthetic works, let us enjoy the game in the art work, a few fractal and thinking.
  •     Mr. Xue Baokun is a folk art theoretical aspects of everybody, this book is definitely worth a visit.