Sichuan Opera

Sichuan Opera


Basic information
The time of publication:2008-9
Press:Du Jianhua, Wang Dingou, Zhejiang people's Publishing House (2008-09)
Author:Du Jianhua Wang Dingou
Pages:231
BookTitle:Sichuan Opera
Summary of contents
"Sichuan" introduces relevant contents of Sichuan opera. As China's rescue and protection of representative institutions of intangible cultural heritage, Chinese Art Research Institute has established a special research and relevant functional departments, responsible for the organization, guidance throughout the development of the intangible cultural heritage declaration. Based on this background, all experts and scholars organized Art Research Institute Chinese wrote the authoritative "intangible cultural heritage series", which includes not only has won the UNESCO Kunqu Opera, guqin, Mukamu and other projects, but also include more also has a long history, unique style, form, aesthetic or process on the main characteristics, history, and currently has the main great representative, and also briefly introduced the local government for the inheritance and protection of the cultural heritage of the work and future plan. It not only helps readers understand and close to these outstanding national culture heritage, to enhance the national cultural pride, and will inspire contemporary people by understanding and protection of these cultural heritage, will China excellent traditional culture and modern society closely together, starting the nation more brilliant future. 
Catalog
The first chapter preface pear flower section of Sichuan Opera generated geographical conditions and human environment in section second, Sichuan opera development history and distributing areas third Sichuan Opera morphological opening mechanism and the artistic features of the fourth section of Sichuan Opera Art's cultural implication and the protection value of second chapter historical evolution section of Tang Song Yuan Ming period of Sichuan drama section second "Huguang fill in the" Sichuan and Sichuan section third tune power localization and Sichuan opera form fourth Festival opera reform and fashion show starts third chapter first stage troupe Temple of Taiwan, Taiwan Museum and the folk performances of Xing Sheng second advised Park, theatre and theatre art development history of the famous third section of Sichuan Opera Troupe classes fourth new Chinese Sichuan opera performing groups and institutions fourth chapter opera features first multi-source first-class repertory system second section covers the ancient and modern history third section through inside and outside local flavor fourth humor language skills fifth originality comedy Arts Festival sixth suit and the common people culture grade fifth chapter works of late Qing Dynasty and the first festival during the period of the Republic of Sichuan Opera writer at the beginning of the establishment of second new Chinese Sichuan Opera writer third The period of reform and opening up the famous playwright chapter sixth performing arts section complete mature roles second rich system works program section third many wonderful constitutive expression of fourth sections: Chapter seventh unique performing skills a play on the first day of the Qing Dynasty famous actors and Drama Festival second in the Republic of China and a third section of the new opera Diva China early establishment of famous and play fourth day period of reform and opening up of the famous and play the eighth chapter first tune music festival five cavity with vocal music festival second elegant and graceful Sichuan Opera Kunqu Festival third outshines the Sichuan Opera Gaoqiang fourth day recite or intone in reading such as language of Sichuan Opera huqin section fifth to bang for the board of Sichuan opera play play sixth Festival vulgar live off of Sichuan Opera light modulation section seventh campaign endorsement of the suona flute profile section eighth Lyric like Sichuan Opera gongs ninth chapter stage art first stage of standardization and openness second Facebook's implication and decorative third Festival Dress inheritance and originality fourth Festival mince symbol and the ambiguity of Fifth Festival have great originality figures sixth Festival opera stage of modern development of the tenth chapter of contemporary development section and bring forth the new through the old opera The development of the heyday of the second festival opera and Sichuan Opera promotion of modernization to establish fourth section and third sections of national intangible cultural heritage status of the performance market development has good prospects for development. 
Chapter abstract
Illustration: in the first chapter, the first section of Sichuan Opera pear flower formation of geographical conditions and human environment in the Qing Dynasty Kang Yong, a high pitched as a sign of the tune of local operas in China, with the change of population and cultural structure of Sichuan, emerge as the times require in Sichuan, and gradually thaw Kunqiang, Hu Qin, playing the drama and light modulation at one, covering Sichuan, Chongqing, Guizhou, Hubei and Yunnan all parts. This opera, was listed as national intangible cultural heritage of the Sichuan opera. For hundreds of years, the traditional Chinese opera drama, melting essence, Bashu art strike out, to the cultural characteristics, both north and south one five cavity, the wild blend, suit and the common people, become the Chinese pear orchard in a distinctive splendor of the arts. The formation of Sichuan opera this cultural features and artistic charm, there is a close relationship between the special environment and its generation and development. 
Editor recommends
"Opera" by the Zhejiang people's publishing house.
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Comments and ratings
  •     Illustrated, easy to accept
  •     I bought this book for my graduation thesis reference book, inside of the Sichuan opera history, factions, described in great detail, but I am stupid, there is no in-depth study, in general.