The animation role design

The animation role design


Basic information
The time of publication:2012-8
Press:Ren Weifeng, Zhang Ran Soochow University press (2012-08)
Author:Ren Weifeng, Zhang Ran
Pages:118
BookTitle:The animation role design
Summary of contents
"Animation art foundation course: animation character design" aims at on the basis of relevant materials and the combination of classroom teaching experience provides such rules, so that rule-based learning. The three part of the basic concepts, the content of the book relates to other design basis and design practice. The text as much as possible simple and suitable for animation college and university classroom learning students and animation enthusiasts use. The book contains a lot of pictures, a considerable part from the Disney animation large "Mulan". Do this for two reasons: (1) based on the Disney style between realism and exaggerated deformation, suitable for learning paradigm; (2) the role of the Chinese people. This book by Ren Weifeng, Zhang Ran. 
Catalog
Introduction the first festival of animation character design a preliminary understanding of the 1 animation production process 2 animated character design in animation in the status and role of the second festival animation character design work is mainly 1 shape design 2 Proportion 3 costumes and props design 4 character set and the hidden history design 5 face design of 6 facial features and expressions of 7 Die Design 8 action reference 9 color specified thought and practice the first chapter block analysis and animation role structure is shown in the first section the animation role type classification of 1 male role type analysis of 2 female characters shape analysis in section second, the relationship between size and character of 1 "cute" character features and shape analysis of 2 "super hero" role features and shape analysis 3 "villains" role features and shape analysis of 4 "evil" role features and shape analysis of 5 "hapless" role features and shape analysis in section third animation role latent history and history thinking and practice the second chapter animation role transfer surface drawing the first section body deconstruction 1 trunk 2 head understanding the 3 limbs of understanding 4 hands and feet know second festival animation role to surface analysis section third animation role ratio Figure 1 animation character of the head and body than 2 role between the proportional relationship between the 3 characters and props the ratio between the 4 characters and scenes in the proportion of thinking and practice the third chapter animation role expression performance and die design section character expression the general change analysis in section second expression in the performance of compression and deformation section third animation character of the die design of 1 type classification 2 lip operation ways of thinking and practice the fourth chapter animation action design reference section of animation role action of 1 dynamic line 2 special angle movement 3 exaggeration and deformation action second the animation role action reference design steps of thought and practice in Chapter fifth, the animation role clothing and the details of the design section of animation role clothing and props design 1 character costumes designed 2 props design section second animation character design details in section third, the animation role design style is defined in theory and practice the sixth chapter specifies the first festival animation animation role color The role of color design 1 lines style 2 color style second animated characters computer colouring method 1 hand-painted scanning color 2 computer hook line color law thought and practice works 
Editor recommends
"Animation (cartoon art foundation course)" aims at on the basis of relevant materials and the combination of classroom teaching experience provides such rules, so that rule-based learning. The three part of the basic concepts, the content of the book relates to other design basis and design practice. The text as much as possible simple and suitable for animation college and university classroom learning students and animation enthusiasts use. The book contains a lot of pictures, a considerable part from the Disney animation large "Mulan". Do this for two reasons: (1) based on the Disney style between realism and exaggerated deformation, suitable for learning paradigm; (2) the role of the Chinese people. This book by Ren Weifeng, Zhang Ran.
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