Japanese visual art

Japanese visual art


Basic information
The time of publication:2004-7
Press:Liaoning University press
Author:Chen Zhixia
Pages:454
BookTitle:Japanese visual art
Summary of contents
"Published in Japanese visual art" a book, when I was 50 years old birthday, which makes me grateful. I sincerely thank you for the loving care of Luxun Academy of Fine Arts hospital leader, department leader, sincerely thank the Luxun Academy of Fine Arts library, China Central Academy of Fine Arts Library's enthusiasm to help, sincerely thank the strong support of the leadership and comrades: Liaoning University press. Without care, help and support them, and we'll do the hard work, can not be so successfully compiled, but not so successfully published. "Japanese visual art" a book from the accumulation of brewing,, to compiled, exactly after 16 seasons. I published in the "beautiful garden" first article "high 山辰 male art" was in 1987 November, as the teaching contents first taught in class is also this article. Is that students in one Zhang Rao have interest face touched me deeply, I will cling to the library of Japan Sea visual art book. With the progress of the teaching, the students interest in learning became more and more strong, so I have to write "Japanese visual art" desire. "Japanese visual art" content, including the chart is the classroom of students' favorite. Jiang more students "modern Japanese painting" and other text in the book are also candidates. "Japanese visual art" a Book of photography is completed by her daughter. My daughter is always like to help me to do something, remember that she is three years old day, I was writing a paper form "potential" Japanese subjects, my daughter while I cook time, then I sign off a "word" style to write down. Although it is only some simple symbols, but I have been carefully treasured. Today, when I took the recording a 175 picture disc from their daughter, see that look she is still young, but she is used to help the mother is no longer naive. 
Chapter abstract
Later, he is the guest as the Zen monk status. The customer is responsible for the reception, this is a very low position, the monks will call him up the guest. Although he lives with the low status of the tired, but that is an important factor contributing to him to make a decisive choice. He is bound to a Zen monk rules against, it vowed to be a painter. This practice period, from his youth, maturity are evident. In front of about Xue Zhou and Zhou Wen, in fact he is Zhou Wen's disciple, as he is a more suitable as Sun Dizi. This from the coma, the Ao Feng GUI Wu was an outstanding Zen monks to sesshu poetry can be learned. Although he never directly from such as clumsy, but be consistent from beginning to end with such as Zhuo style. Twelve years of civilization (1480) he to the disciple, Yue taught as a "herding" of the painting, it was learned from the famous poem monk Cun Ling Yan's praise of. Needless to say, such as station is the source of the Muromachi painting, he ingest a lot China essence of painting, established their own - style, was considered the ink and wash painting pioneer. Such as painting fresh air a shocked sesshu young at heart, he even became as a fanatic worship. Sesshu Yongxiang three years (1431) 12 revenue Xiangguo Temple, width is five years (1464) at the age of 45, he received the comet Ao Feng Zhou Fang pass. After 34 years of practice, children, youth, adults are spent in kyoto. This is his study as a painting style, establish the initial period, is also when the Zhou Wen's heyday. Xue Zhou began career as a painter in the painting of the most prosperous of the temple, he obtained with Kyoto giant brake many monk poetry communication opportunities. Behind the temple painting flourishing, there are a lot of interpersonal relationship, such as the temple of the forces for the struggle and the complicated problems such as snow, Zhou also experience these. Because of his status is low, is more focused on the painting, the results of his painting industry is trying to read at the time of the critics in the poem monk. The boat as humble as snow statue painting progenitor, determined to inherit such as Zhuo painting industry, such as a painting inherited, he claimed to be clumsy in yang. Described by line in a clumsy Zong Zong pen "Du Zimei" and the "Kyoto National Museum collection in miniature" of "white a Buddism godness Guanyin Du US pan 闾图" in the trees, cliff painting are reflected in the snow, the boat does learning as a painting. In addition, from a deadly pen "landscape painting", painting and Zhou Wen mountains and hills mountain painting is also not the same, it is the performance of the "Zhongshan style" gourd catfish diagram. From these characteristics of creation, sesshu beyond Zhou Wen before painting mode. There is a pen, a case of Longgang really the question like "landscape painting", this is the description of a longitudinal scenery, composition, pavilions, towers, cliffs and bluffs upper pine forest, are obviously by using vertical profiling. Prospect Hill from the clouds floating in a large valley, this kind of composition style can be said to be Zhou Wen model. But from the detail description, and Zhou Wen painting be totally different. This from the overlapping combination of pavilions, towers and other writing style can be seen. Longgang GUI and snow boat with deep contacts. As a Buddhist name "snow boat" is really the gift of Longgang, "Snow White" means pure, maintain one's original pure character, "boat" means the birth and death of the heart.......
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