Art study plaster model 1

Art study plaster model 1


Basic information
The time of publication:2002-1
Press:Zhejiang people's Fine Arts Publishing House
Author:Mao Zongzhong
Pages:16
BookTitle:Art study plaster model 1
Summary of contents
From the angle of teaching speaking, plaster sketch is solved from the still life into the characters of fault span problem. Because the static state it is still life, and complex structure of character and the distinct personality characteristics, so the plaster statue painting is the main structure of the object of study, using point, line, surface and the black, white, gray and other graphic elements to shape feature and expression of complex three-dimensional objects, showing a three-dimensional virtual space at the plane of paper, and are ready to do. In order to achieve the teaching objective, teaching has been the object of some basic plaster as teaching and examination. The plaster as the sculpture itself have extraordinary artistic value, modeling accuracy is perfect. This enhancement to our overall artistic accomplishment and modeling ability has a very important inspiration, it can make us more Chuanye Li into life head in the artistic creation to. From the angle of the art of speaking, all things in the world can become the source of the same, artists, plaster can also become the object of artistic expression and reproduction, don't put a plaster sketch as simple simulation. 1 whether the purpose of teaching is the focus of assessment, revolves around the shape of painted plaster, so students painting is the most important form of quasi. Shape in painting includes accurate proportions, rigorous structure, characteristics and so on. In order to achieve the shape, can use a three-dimensional analysis to understand the anatomy and proportion structure, also can use a silhouette based plane to find decent shape, proportion, can also use the negative form to finding and check you have described shape. 2 in addition to form quasi, shape is also very important. In the building should try to pursue a complete whole, spatial relationship accurately, overcome easily met in the painting process, break, flowers, flat plate, greasy, grey model. The 3 picture is completed, the overall effect on the grasp is crucial. The artist should be based on the time of objective experience, subjective to seize the last effect picture.
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