Nan Xin a Chai

Nan Xin a Chai


Basic information
The time of publication:2010-10
Press:Baihua Literature and Art Publishing House
Author:Nan Xin
BookTitle:Nan Xin a Chai
Catalog
With the generation of heterogeneous compared to the late pop decoration carving the leading five generation with deja vu Tang style in the kettle black and deep color Shu Yu crown on the kiln say alone good moist fine fine lines a Shuiguang God to a day of blue with black very few archaeological finds to be a complete view of bubble Mo Zhongyi is on song the 仿器 flow trends on old Wang Xie front Yan Wild Open beach autumn sunset view. Chapter Ming Kinmen just bring order out of chaos and prospecting song Chai kiln Staging your is beautiful scenery a glaze in Song Dynasty kiln see blue Shenhou market found that burning phenomenon is Yinfu and kiln treasure match not easy old Tam 纷然 emerged as which like "dog in the manger" day green seedlings sound tear without fear of play the Imperial Palace kiln I Ataka word on this fine's Dali Shen Yu Guan soil bearing foot is in fact the south to north water diversion is dawning whirling a kiln deliberately misrepresent Sao they suspected Ru but non Chai Gongyi "pass" easy mixed bead Chai Jun once again play the horn shaped Hu Yaozhou collection kiln face remember Mo will be roughly when the kiln salty eat radish short to worry about Ru still in Qingliangsi archaeological discoveries make people wake up kiln tyre not light see King as listening to King Wu ye are lost and class. Since then, Zhou Chai Takifugu symbol decoding after trial kiln early name Royal Porcelain diffuse guess on ceramic vessels was Sejong generations Handan statue of harmony but not sameness gentleman to modern elements unclear how should carefully review Ju Hua responsory phase appreciation zither experience with "four as" criteria in different differentiation want ask special wind every week song Chai word style test in a rare easily recognized Incense Culture Week glaze composition is unprecedented glimpse of Chai kiln three week sage who is evil which I say cold season pumpkin eighteen Arhats Kan limit the Buddha decoration techniques duo Tiangong crescent JUANJUAN dianjiangchun by Xi Long material confusion Siling belief secret legend dream calendar rooter the flowers open up a fresh outlook a Yu pot hunting scene montage moist fine and difficult to match the duck type water 匜 living water 来四十九 type initial flow support burning process "Three Musketeers" a view of fraternity beast first person emerging five generation "into" the young chrysanthemum statue test step Blue Book frequency Tim Kam Tibetan music still after the heavy style cartridge burning stack or the establishment of goose shaped lamp clever idea of parrot ear such as Star Feng Hua porcelain wonder who the one and only the solution be swirling clouds meaning what is the wall erected King Lion Lion Flag too little Tang dragon and Phoenix back thousands of years Praiseworthy for one's excellent conduct a marriage auspicious auspicious Kyushu gold scale is pool in shiny five generation word come down in one continuous line ears bottles four sages without household registration and 增喜 Xian Shou Qing Cao Guojiu mystery week song version form spirit to change where no bone Dan Qing lily bloom Japan not to stick to one pattern the head of a dog ear Chai kiln better mold more than a week firewood kiln Ying is four Ling Songhe according to month constant spread of yellow cloth thousand witness Chai for curios find a margin of climbing the peak ancient kiln have succeeded in carrying out an assignment to know how much water and try to discuss it in two words or three north big is beautiful but really auspicious statue @##@ Peacock
China porcelain culture known as the five famous kilns, five famous kilns more kiln. The kiln is clearly the historical record, the record in the Later Zhou Dynasty Chai Rong, so called "kiln". But because of various reasons, has almost lost, may have handed down the works of ordinary people also cannot distinguish. The author of the book of kiln for many years, combined with historical data, the kind, some porcelain collections of themselves and so do the collation and research, put forward the new understanding of the kiln.
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