The time of publication:2007-2Press:Peking University pressAuthor:Lv PengPages:1066Words:1494000BookTitle:History of art in twentieth Century Chinese
"Shanghai" and its symbolic and historical background in 1897, a Chinese travel to USA travelers after describing the Great Wall ended his impression of Chinese: in many ways, this is a great defense has become a symbol of Chinese. They have a long time, have the latitude of profound, also has Chinese -- in the prosperity and progress of the glorious era create period, the Great Wall is the function into full play in each tower, it is as a warrior, 1500 miles, to become the invaders insurmountable barrier. But, as this stone behemoths have experienced success, has been gradually broken, the huge Chinese Empire in nineteenth Century and today has completely close the country to international intercourse, decadent and declining. Her once the road lead in all directions, is now see evidence of people's distress everywhere; her street disgust; her rivers and ditches have been silted up in urgent need of dredging; even her temples also lack the necessary repairs. Organization of her huge in the smooth operation has failed to manage unresponsive. Decaying body collapse at the first encounter. At the same time, a British Royal Geographical Society member Archibald John Lid through hard work, finally the ship traveling along Yangtze River and arrived in March 8, 1898 China western city of Chongqing: the second day early morning, before we take the boat clean, after taking out the flag, the reception committee people rode Chaman banner canopy ship arrived; they most are living in Chongqing and America British nationals, and some Chinese friends, a total of about 50 people. All flags, including the UK, Japan and USA consular flag, were transferred to our "Lichuan", the friends all on board, we are full of the joy of victory sailing. These friends gave us a warm welcome, American famous doctor gave me the highest praise, solemnly declared, I this feat is enough to make me get America citizen title. Arrived in Chongqing, the Tao Tai (namely the governor) sent more gunboats, all decorated to be bursting with happiness. Finally, we salute and the sound of crackling sound of firecrackers, docked in the ancient city of Chongqing in Chaotianmen.
Lv Peng (1956 --), dr.. Reading in the Political Education Department of Sichuan Teachers College 1977-1982 years; 1982-1985 years as "drama and film" magazine editor; 1986-1991 vice secretary of Sichuan Dramatist Association; 1990-1993 years as "art market" magazine executive editor; 1992 "Guangzhou Biennale" art host; 2004, graduated from The China Academy of Art doctoral students, now the
Feng Bai y (Hans Christian von Baeyer) in "conquer" (Taming the Atom) atoms in told an anecdote: physicist Leo Sylla de (Leo Szilard, 1898 - 1964) once told his friend Hans Bate (Hans Bethe, 1906), he is going to write a diary, but did not want to write: "I just note the fact, for God reference." "God don't you know that?" "Know, he certainly knew the facts, but he didn't know how to describe the facts." The two men, a 1967 Nobel prize for research on stars become light-emitting principle and the winner, one is the earliest nuclear power that the Hungarian scientists, he took the risk and told Einstein, and Einstein very visual language to describe the harm that weapon: "if a port in the explosion, would destroy the port and the surrounding area." This is the amazing insight to describe the fact, but also to describe the fact that a striking example of the historical process. However, the poets always laughed at described by scientists, is often said that their eyes can not see the beauty of the stars, write only a heap of atoms of gas accumulation. One time, Feynman (Richard Feynman) and retorted: "I can see the desert stars in the night sky, and feel them, the expanse of the sky to tickle my fancy. From the rotation of the sky, my eyes can capture 1000000 years before the light...... This is a picture of what the image, which in turn means that the what, why? We know a little universe, does not affect the mystery of the universe. Because, the universe than any one poet can imagine to be much more wonderful." In fact, UT mirum amplius nonSit (no greater and greater miracle). To describe the magic of the universe, is one of the ideal scientist. However, Panofsky also describes cultural universe for us. In this universe, the stars for the ancient Greeks and the Polynesian people are God, star for many contemporary Europeans and Americans is God, in China is also roughly the same. To describe the culture universe wonders, became one of the humanities scholars especially the art historian's work.
Preface preface (on twentieth Century) Introduction: the first chapter after the Opium War situation, or Xin Hai before the revolution in Art: 1840-1911 1 "Shanghai" and the symbol of the 2 western art professor and Guangdong, Macao area in the late Qing Dynasty painting 3 political background and early studying painter second chapter art during the period of Republic of China: Cai Yuanpei: a 1911-1937 4 the historical background of 5 fine arts revolution 6 "China painting" produces 7 traditional rationalism and scientism: as the ideological atmosphere background 8 China painting: traditional painters and 9 new Chinese painting: South of the Five Ridges School of painting and the painter 10 schools and community history, 11 realism debate and painters 12 Artist: from Impressionism to surrealism 13 modern ideas with the situation 14 leftist Art: the art of 1937-1949 15 廷安 art 16 "in the Yanan Forum on literature and art of speech" and Mao Zedong Thought established by the 17 art 18 Civil War politics of modernism tendency in third chapter in Sino Japanese War period after (bottom) the fourth chapter of socialist construction and the Cultural Revolution art method: 19 49-1976 19.1949-1958: effects of the period of socialist construction art 20 Soviet Socialist Realism and the "two combination" of Chinese painting and the transition of 21 (a) 22 transformation transformation painter of Chinese painting and Chinese painting (23.1959 -- two) 1965: "class struggle" art in the age of 24.1966 -- 1976: the "Cultural Revolution" period of art fifth chapter, continue to promote the modern: Modern Art 1950-1980 25 Taiwan 26 Hongkong modern art the sixth chapter of the "new era" Art: 1976-1989 27 "Scar" art and "life stream" 28 revolution in form, "stars" event and modernism 29 '85 trends and phenomenon of group 30 important groups and artists 31 "soul" of the origin of the seventh chapter 90's Art: 1989-1999 32 street artists and Old Summer Palace art village...... Postscript: background notes reference catalogue terms index index name @##@ in New Century
This book is the first systematic and academic works presented in twentieth Century China artistic process, the author by virtue of their years of twentieth Century by Chinese art and unique view of history, in the numerous data, research on twentieth Century China problem of art from the point of the transverse effect of comprehensive Chinese near contemporary history, this, this a longitudinal axis and the western art of China artist. The movement of studying abroad, western education, traditionalists to Western art attitude, the specific historical background art political tendency, in twentieth Century 40's to 70's Chinese, art forms and the same period in Hong Kong and Taiwan Art and world cultural community ties, as part of the 80 ideological liberation movement in art and efforts to integrate "the trend of globalization" 90's art and so on, have a wonderful narrative in this book. In the "history" of the framework, the book also takes into account the interaction between different schools of art, art groups, art criticism and art events, trying to the great changes in politics, economy and culture in different ways, showing artists see the world, provides a whole framework for the history of art in twentieth Century China for the reader.
In the "history" in the framework of art history, "Twentieth Century" China (upper and lower) also takes into account the interaction between different schools of art, art groups, art criticism and art events, trying to the great changes in politics, economy and culture in different ways, showing artists see the world, provides a whole framework about the history of art in twentieth Century Chinese for readers.
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History of art in twentieth Century Chinese download
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